Observations

Bar Luce, designed by Wes Anderson Fondazione Prada Milano 2015. Photo by Attilio Maranzano. Courtesy Fondazione Prada

Why the Museum Café Provides a Unique Opportunity for all Visitors

Art Living
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Vera Chytilova, Daisies, 1966, still

A Political (Dinner) Party: Food and Subversion in Czech Cinema

The Index
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Lu La Loop, Zef Alien coat, worn by Kat

The Art of Dressing for Performance Art

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Courtesy Tastemakers Africa

What You Need to Know About Ghana’s Creative Scene

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These Artists Prove That Appearances Do Matter

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Why Do Artists Love Meditation?

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Michael Clark, Before and After: The Fall (2001), photographer: Andrea Stappert

The Visual Artists Designing for the Stage

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An Egg Is for Art, Not Just for Easter

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Aubrey Trinnaman, Mormon Trail

Come All Ye Faithful: The Art of Devotion

Culture
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Michael Zavros, Echo, 2009. Private collection, courtesy of the artist and Grantpierre, Sydney

Pump, Pump, Pump It Up!

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How Materialistic Are You?

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What Happens When Men Get Naked For Art?

Culture
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Is Childbirth too Big for the Big Screen?

Culture
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Elmgreen & Dragset, Queer Bar/Powerless Structures, Fig. 221. Created for a solo show at Galerie Perrotin. Photography: Jean-Pacôme Dedieu

Why do Artists Want to Get Us Drunk?

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Charles Atlas, Staten Island Sex Cult, 1998

The Art of Self-Loving

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Joost Termeer, Fame

#PhotoBookJousting: Why the Photo Book Revolution Is Digital

Culture
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Art UK, © Bob and Roberta Smith

Aural Pleasures: Ten Art Podcasts that Might “Enrich Your Life”

Culture
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Lone Taxidermist, Trifle album cover

Sex, Trifle and Sound: Meet the Women Rewriting the Audiovisual Rulebook

Culture
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Hypercorps, Lisa Egio and Elliot Kervyn in collaboration with architect Matthieu Darcourt-Dawenti, Pop-up Store

Why Art Thrives in “In-Between” Spaces

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Charlotte Prodger, BRIDGIT / Stoneymollen Trail, video still

Less Shock, More Kindness: How Art Prizes Have Changed

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Todd Hido, Homes at Night, 1997

Why Are Artists So Attracted to Suburbia?

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Peter Saul, Government of California, 1969. Collection of Brian Donnelly, New York © Peter Saul Courtesy Mary Boone Gallery, New York

From UFOs to Data Leaks: How Conspiracy Theories Inspire Artists

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These Radical Nudes Confront the Way We See Bodies

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Xenobia Bailey, Sistah Paradise's Great Wall of Fire Tent (installation view, John Michael Kohler Arts Center), 1993; acrylic and cotton yarn and mixed media. Courtesy of the artist.

Witch, Please! The Art of the Occult

The Index
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