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Melissa Cody Weaves Interdimensional Planes

ART/ICLES
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Institutional and Gallery Exhibitions on in Venice during the Biennial

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Artist Eva Gold on destabilising truth

ART/ICLES
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09_Stephanie Comilang. Portrait by Trevor Good. Berlin, February 2024

Who is Stephanie Comilang? The Artist Exploring Labour and Transition in a Globalised World

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Orlando Estrada’s Mindscapes

On View
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Venice for the Inexperienced: Jeffrey Deitch Explains the Venice Biennale

Culture
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1. Shu Lea Cheang - Fresh Kill

Sex Out of This World: Science Fiction, Fantasy and the Erotic at Project Native Informant

On View
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Trophy Lives: Philippa Snow and Ruby Dickson Make an Art of Celebrity Culture

Art Living
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Tracing History’s Footsteps: Tammy Nguyen’s A Comedy for Mortals: Purgatorio at Lehmann Maupin, Cromwell Place

On View
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Venice Recommendations for When You Need a Break From It All

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What to See at the 60th Venice Biennale – the Elephant Roundup

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No Doormat: The Anatomical Venus Made From Carpet Yarn

On View
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The Top 5 Booths at MiArt 2024

The Index
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Marie Watt on the Art of Storytelling and Collaboration

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Wilmer Wilson IV Locates Staples and Wood As Sites of Being and Communication

Fresh Take
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Nari Ward’s New Monumental Retrospective Urges Us to Scratch Beneath the Surface

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Terence Nance is Deindustrialising Cinema

ART/ICLES
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COSMIC CALLING APRIL 2024 – ECLIPSE SEASON

Cosmic Calling
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How To Become A Dealer: Hannah Traore 

Art Living
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Claire Barrow’s Scare-Ride Down the Tombstone Freeway

ART/ICLES
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Reclaiming the True Purpose of Zombies: Guardians Predating White Zombie Appropriation

Art Living
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Exteriors: An Ode to Annie Ernaux and the Everyday Encounter

On View
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For Collective Ending’s Billy Fraser, It Is Time for the Art World to Talk About Privilege

Art Living
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Matt Connors Cured my Referential Mania

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Clifford Prince King’s Photographs Will Catch You In Brooklyn

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Chiho Aoshima’s Ceramic Daydreams in Aquatic Blue

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How Absence Made Lisa Selby See Differently

The Anecdote
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When Guerilla Girls Met Pussy Riot

Fresh Take
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Traversing Demonic Grounds: In Ode to Rhea Dillon’s Quiet Feminism

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Maggi Hambling: 55 Years at Morley College 

Art Living
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At the End of the World with Precious Okoyomon

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Hot Off the Press: Gallerist Tif Sigfrids Resurrects the Alt-Weekly

Art Living
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Linder Sterling on Deep Fakes, the Buzzcocks and ‘Origin of Glamour’

The Index
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Taylor Simmons is Solidifying Black Cultural History

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Will the Apocalypse be Televised? – Eric White and Barbara Kruger Explore ‘Cursed Media’

Fresh Take
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What Kaye Donachie Kept for Herself

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Encountering Toni Morrison in the Middle East

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The Human Sensorium is Jónsi’s True Canvas

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The Best of Art Dubai 2024

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Exploring Themes of Identity and Perception in Mao Yan’s ‘New Paintings’

ART/ICLES
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Who is Martin Eaton? The Restless Pioneer Who Has Finally Found His Home

Art Living
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Past and Present Are Bound in Kat Anderson’s ‘Mark of Cane’

On View
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Wolf Alice’s ‘Blue Weekend’

Culture At Home
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Terry Allen Just Wants to Get Back Into His Studio

In Conversation
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Are They Play Fighting? Gundula Schulze Eldowy and Robert Frank at Akademie der Künste

On View
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Monstrous Beauty and Beautiful Monsters: Love Love Love at Soft Opening

On View
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Che Lovelace on Carnival, the Caribbean, and Documenting the Vibrancy of Trinidad 

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Claudia Martínez Garay and Arturo Kameya Explore Peruvian History

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Danielle Brathwaite-Shirley Attacks Without Warning 

The Index
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What Newton Knows About the Impermanence of the Flesh: El Muerto at Lodos

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How to Stage an Exhibition – A Conversation With Thea Djordjadze

Art Living
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The Third Time’s the Charm for Louis Osmosis

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Textiles As Sites of Subversive Narrations: ‘Unravel: The Power and Politics of Textiles in Art’ at the Barbican

On View
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Fragmented Faces: The Many Layers of Cindy Sherman

ART/ICLES
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THE GREAT WALL OF POSSIBILITIES

Cosmic Calling
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Reina Sugihara Chases Misunderstandings in ‘Island does not know the sea’

On View
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Six L.A. Organizations Fostering Change Through Art at Frieze L.A.

Art Living
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Essence Harden is Everything and Everywhere, All at Once

In Conversation
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Good in Any Hood: Andrew Pierre Hart Opens at Whitechapel Gallery

In Conversation
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Karina Sharif: The Elephant in the Room

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Sylvie Fleury’s Hot Tub Time Machine

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This is not a game: On Aria Dean’s Abattoir

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Making our Mark: The Time of Our Lives at the Drawing Room

On View
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Sirens, Shame, and Cycladic Dreaming: Sofia Mitsola Draws From Ancient Greek Mythology and Playboy Magazine

The Index
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Terence Koh and Yuri Yuan Talk Tangible Isolations and Allegorical Togethernesses

Artist X Artist
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Behind the Lens: André Uncut’s Exclusive Photo Diary from the Opening of ‘Giants’ at the Brooklyn Museum

Art Living
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Artificial Intimacy: AI, Love and Sex

Fresh Take
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Doron Langberg’s ‘Night’ at Victoria Miro: A Sensual Exploration of Lust, Heat, and Temporality

The Index
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The Art Farmers: Hauser & Wirth Somerset’s Fresh Crop

Fresh Take
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How Rachel Rose and Paulina Olowska Took Me Back to the Woods

This Artwork Changed My Life
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20 Years of ZⓈONAMACO: Elephant’s Highlights from the Anniversary Edition

Best Of
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Translating Girlhood: Nina Mhach Durban and Athen Kardashian at Soup

ART/ICLES
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Inside Raphaela Vogel’s Penalty Box

On View
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What Is Art? American Artist & the Ugly Side of Reality

ART/ICLES
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Daughters of the Dust: The Radical Soil-Based Work of Contemporary Women Artists

Fresh Take
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What Does the Future Hold for India’s Rapidly Growing Contemporary Art Market?

Fresh Take
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Saliva Lounges and Pram Playgrounds at the Biennale de l’Image en Mouvement 2024

Best Of
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Species Lost and Found: The Evolution of Sally von Rosen

In Conversation
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Quiladelphia: Americana Coded OnlyFans Stars Occupy the White Cube

ART/ICLES
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Art, Propaganda and Resistance: ‘Self-Determination – A Global Perspective’ at Imma, Dublin

On View
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10 Global Events You Can’t Miss Happening in the Art World in 2024

On View
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For Mika Tajima, The Body Is A Mystery Land Full of Entry Points of Exploration

In Conversation
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On shiey, YouTubers, and illegal freedom

Culture At Home
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The New Horizons in Saudi Arabia

Fresh Take
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How ‘Unnamed Figures’ at the American Folk Art Museum Challenges Dominant Narratives of American History

ART/ICLES
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The Sickness Unto Little Death: Paulina Olowska’s ‘Visual Persuasion’

SEX/ART
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Pope.L and Adam Pendleton: “Art Can Mobilize Your Body”

The Index
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Banks Violette’s Light Sculptures at Celine Boutiques Capture A Fall in Fourteen Acts

On View
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Guadalupe Maravilla’s Healing Instrument

On View
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How ‘Pictures of Us’ Channels the Universality of the Human Experience

On View
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How Southway Studio is Curating a Cultural Ecosystem in Marseille

The Index
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At Lausanne’s Photo Elysée, a history of photography in three acts

On View
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Sex Exhibitions and the Line between Objectification and Education

SEX/ART
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Pullulating Boobs, Whining Children and Anthropomorphic Creatures: Spanish Painter Elena Garrigolas Isn’t Interested in Your Beauty Standards

ART/ICLES
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The Cowboy’s Long Ride Through Contemporary Culture

Fresh Take
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Ferrari, birdsong and the forces of nature: Nico Vascellari in Florence

On View
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How Lawrence Lek Built a Fictional AI Conglomerate Inside an Abandoned Berlin Shopping Centre

On View
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‘We Can Become Limitless’: Soull and Dynasty Ogun on Their Art World Debut 

On View
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The Eternal Ballad of Nan Goldin: Behind the Walls of Nan Goldin’s Last Retrospect

On View
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