Manual Labour (1)

A Gyrating Pelvis, a Sheet of Metal, and Two Newborn Babies: Hannah Perry’s ‘Manual Labour’ (2024)

On View
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Shows To See in New York This Summer 

Culture
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What Do the Arts, Activism, Modelling, Filmmaking, UK Rap and Motherhood All Have in Common? Eunice Olumide MBE.

In Conversation
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Spiral Theory Test Kitchen

The Index
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The Rites and Rituals of Photography Duo Studio Reyes & Israela

In Conversation
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Dave Free: A Pin-up for Aliens

In Conversation
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Jean-Marie Appriou: At the Intersection of Reality and Mythology

In the Studio
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Building Works: Rahima Gambo Exhibits a Lifetime of Thought

On View
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Are Studio-Vlogs Helpful or Hurtful?

Culture At Home
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A Summer for the Books: What New York’s Indie Literary Scene is Excited For This Summer

Best Of
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Trading Places: Two Gallerists Collaborate Across the Atlantic

In Conversation
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Rococinco Ushers in Summer With a Sensory Celebration of Art

Art Living
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Imran Perretta’s Monument for a Dream

ART/ICLES
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Hammering Home with Chloë Collin

Art Living
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Taylor Simmons, Vision After the Sermon, 2022

Three Artworks That Have Impacted Gallerist Alex Flick’s Life

Art Living
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Hans Ulrich Obrist’s Ideal Festival

ART/ICLES
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NAOMI RINCÓN GALLARDO Sonnet of Vermin. 2022. Video HD. 19’02’’ Photo_ Gesner Melchor Copyright_ NAOMI RINCÓN GALLARDO

Naomi Rincón Gallardo’s ‘Sonnet of Vermin’ is Punky, Queer and Raucous

On View
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Is Site a Character in Matthew Barney’s Work?

Fresh Take
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Lawrence Lek Is Awarded the 2024 Frieze Artist Award

ART/ICLES
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Bharti Kher, The fallow, 2019. Courtesy the artist, Hauser & Wirth, Nature Morte and Perrotin. Photo © Jonty Wilde, courtesy Yorkshire Sculpture Park

Bharti Kher Believes That Bodies Are Merely a Vessel

Culture
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Caleb Hahne Quintana Can’t Live Without Country Music, Cowboy Boots and His Mechanical Pencil

Artist's Choice
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Ser Serpas is Everything, Everywhere, All at Once

ART/ICLES
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Luck Favors the Bold in July’s Cosmic Casino

Cosmic Calling
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Photographers You Can’t Miss at Les Rencontres D’Arles, 2024 

On View
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Soft Butch Nostrils: Sophie Mörner & Cajsa von Zeipel

Lovers
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Thumbtacks and Sword Swallowing in Miles Greenberg’s Studio

Art Living
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Marisol: Proclaimed as the “First Girl Artist With Glamour” by Andy Warhol

Retrospect
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IT’S ALL A COMPLETE MYSTERY

Critic About Town
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9. Soufiane Ababri installation view, 2024, The Curve © Eva Herzog and Barbican Art Gallery

Queering the Crescent: in Conversation with Soufiane Ababri & Raúl Muñoz de la Vega

Artist X Artist
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Tesfaye Urgessa - Image Courtesy of Tesfaye Urgessa and Saatchi Yates, Photography by Kameron Cooper (1)

Ethiopia Pavilion’s Artist Tesfaye Urgessa: “Prejudice and Belonging is About Every Foreigner Living in a Foreign Land”

In Conversation
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Conserving Sacred Remnants with Theaster Gates

In Conversation
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Ai Weiwei and the Art of Nuance

On View
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Xingzi Gu’s Echoes of Erotica

ART/ICLES
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Ali Banisadr x Huma Bhabha: “I wonder about how to put a fragmented world back together”

Artist X Artist
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Gravity and GRACE: The Colourful World of Alvaro Barrington‘s Tate Commission

ART/ICLES
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The Truth Is Out There: Chloe Wise Believes in Aliens and Other Phenomena

Reading Out Loud with Emily Burke
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On Being an Angel: Francesca Woodman and Julia Margaret Cameron at the National Portrait Gallery

On View
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A Dirty Mirror in the House of God: On Maurizio Cattelan’s Sunday and November

Fresh Take
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They Can Leave if They Want: Ann Liv Young’s “Marie Antoinette”

ART/ICLES
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Berlinde De Bruyckere Returns to Venice After 11 Years With New Works

Fresh Take
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Zeinab Saleh on Art, Success and Cacio e Pepe

Sharing Plates
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Alberta Whittle’s LA Photo Diary

Art Living
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How To Create a Joan Jonas Retrospective

Art Living
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DAAR (Deconolonizing Architecture Art Research), Concrete Tent (2015), (Sharjah, 2023), photos by Edmund Sumner for Sharjah Architectural Triennial-1

Under the Concrete Tent: Reflections on Palestine During Sharjah Art Foundation’s March Meeting

Fresh Take
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Jeffrey Gibson: Ancestral Superbloom

ART/ICLES
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The Nigerian Renaissance in Venice

ART/ICLES
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Venice for the Inexperienced: Jeffrey Deitch Explains the Venice Biennale

Culture
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Nari Ward’s New Monumental Retrospective Urges Us to Scratch Beneath the Surface

ART/ICLES
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Hot Off the Press: Gallerist Tif Sigfrids Resurrects the Alt-Weekly

Art Living
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Will the Apocalypse be Televised? – Eric White and Barbara Kruger Explore ‘Cursed Media’

Fresh Take
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Terry Allen Just Wants to Get Back Into His Studio

Polymath
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Fragmented Faces: The Many Layers of Cindy Sherman

ART/ICLES
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Sirens, Shame, and Cycladic Dreaming: Sofia Mitsola Draws From Ancient Greek Mythology and Playboy Magazine

The Index
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Daughters of the Dust: The Radical Soil-Based Work of Contemporary Women Artists

Fresh Take
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On shiey, YouTubers, and illegal freedom

Culture At Home
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‘We Can Become Limitless’: Soull and Dynasty Ogun on Their Art World Debut 

On View
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