The Delirious Optimism of Nicola L.

The Index
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Stephen Thomas Gallagher Steps Forward With a Vision Entirely His Own

Interviews
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Two Artists, One Frequency: Abby Manos and Spencer Hawk Move In Sync

Lovers
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Angela Santana and Samuel Schler Cross-Pollinate Performance and Painting

On View
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Anthropophagic Diaries: Cultural Cannibalism in Mexico City

Art Living
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Which Other Painter Could Turn Titian into an Abstract Abyss? Gerhard Richter at the Fondation Louis Vuitton

On View
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John Kelly After The Fall

On View
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Between Dreamland with Dylan Rose Rheingold

Girl Talk
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Judie Bamber in Detail

The Index
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What’s In the Cards for Julia Jo? A Live Tarot Reading

The Index
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Blue Velvet Cuts Through the Noise at Art Genève

On View
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Postcards from CONDO

Art Living
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From L’Atelier to Dior with Patrick Eugène

Interviews
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Emilia Momen Is Reframing the Canon of the Bather

On View
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The Opening of GICA: Rwanda’s First Independent, Non-Profit Contemporary Art Institute

Art Living
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What Happens When Performance Becomes Print

Fresh Take
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Camille Gallogly Bacon Peels Herself—And Art Criticism—Off The Page

Art Living
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Who Gets to Be a Revolutionary? Camille Henrot at Lina Bo Bardi’s Glass House

Art Living
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“A Show Suspended in Space”: Reginald Sylvester II and Diallo Simon-Ponte on The Other Side of Languish

In Conversation
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Alexander Calder, Crown of leaves, c. 1940

ART/ICLES
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“I Give Myself to You”: Tala Madani’s Mechanical Daughters and Imperfect Mothers

On View
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Full Circle with Howardena Pindell

In Conversation
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Miss Mada Universe

Girl Talk
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Toyin Ojih Odutola Draws Homes Made of Openings

Fresh Take
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For Maria Vogel and Caleb Hahne Quintana, Romantic Partnership Becomes a Creative Force

Lovers
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All About Lovie 

Girl Talk
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Emma Kohlmann on Internet Nostalgia, Intuition, and the Zines That Started It All

ART/ICLES
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Martina Cox: Bound for Pleasure

ART/ICLES
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George Condo and the “Many Selves” We Inhabit

ART/ICLES
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On (and In) Love with Rene Matić: Britain’s Youngest Ever Turner Prize Nominee

ART/ICLES
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Miles Greenberg In His Own Words

Art Living
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A Shared Appetite: Frank Bowling in Conversation With Reginald Sylvester II

Artist X Artist
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‘Dirty Looks’ Revels in the Filth of It All

On View
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Lorena Pipenco Makes Big Hats for Even Bigger Delusions

Girl Talk
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Pornography, Human Excrement and Desperation: Mire Lee Isn’t Afraid of the Grotesque

In the Studio
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Fifty-Five Figures Under a Compressed Sun: Sandra Mujinga at the Stedelijk

On View
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David Claerbout: 5 hours, 50 days, 50 years at Konschthal Esch

On View
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What’s It Really Like Being an Artist’s Assistant?

Fresh Take
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Edward George Has Composed a Peculiar Kind of Atlas

Interviews
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Rita Keegan x Tschabalala Self: Creativity is Work

Artist X Artist
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What Grows in Harley Weir’s Garden

Interviews
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Kristina Shakht’s Self-Portrait of a Dream Girl

Girl Talk
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From Squats to Mattress Shops: How Non-Commercial Galleries Are Surviving London

Fresh Take
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Ten Unspoken Rules of Art World Etiquette, As Told By Your Favourite PRs

Art Living
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Atlanta Has Always Had Something to Say. It’s Up To The Rest of the World To Listen

Fresh Take
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Girl Talk with Sasha Gordon 

Girl Talk
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The Boone-issance Is Here! Mary Boone’s Big Return to the Art World

Fresh Take
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Alison Saar Basks In The Light Of Legacy

In Conversation
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Paul Thek: Seized By Joy, Alive With Contradiction

Retrospect
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“A Homecoming Of Sorts”: Frank Bowling’s Work Arrives Back in South America

On View
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“You Are Never Alone”: Kader Attia on the Reparative Nature of Art in a Shattering World

In Conversation
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A.A.Murakami’s Living, Breathing Machines

Interviews
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Christelle Oyiri Is Remixing the Archive

Interviews
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How Gemma Rolls-Bentley Curates Exhibitions That Feel Like Home

In Conversation
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New York’s First It Girl, Bibbe Hansen

ART/ICLES
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Thaddeus Mosley: Whittling Through Time

Artist X Artist
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Oracle and Other Stories: Sanford Biggers on Mythmaking and the Performativity of Objects

Interviews
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Painting Mysticism and Metaphysics… Philip Smith Was Doing It First 

On View
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Curating Girlhood with Gabrielle Richardson 

Girl Talk
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“Unlike the Archive, Play Has No Agenda”: Divine Southgate-Smith on the Imaginative Work of Remembering

In the Studio
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25 First Date Questions with Furqan Jawed

Art Living
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Kennedy Yanko Lets Her Firecracker Pop 

Girl Talk
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Kianja Strobert’s Buoyant Pewter-Coated Ode to Civic Life

Art Living
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The Bee Stings Before It Dies: Anne Imhof on Love, Power, and Doom

Interviews
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The Shape-Shifting Worlds of Pol Taburet

On View
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“What’s Left of Our Vitality Should be Devoted to Resistance”: Michèle Lamy Continues to Defy Convention

Art Living
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Thank God Amalia Ulman Makes Class Consciousness Weird and Fun and Slightly Psychedelic

A Little Mission
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