Sex Exhibitions and the Line between Objectification and Education

SEX/ART
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Jem Perucchini Celebrates the Legacy of Black British People in ‘Rebirth of a Nation’ in Brixton’s Underground Station

On View
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How Bingen TV at Mimosa House Explores the Art Gallery as a Garden

On View
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Reginald Sylvester II’s Afro Futuristic Works Are Omens of The Apocalypse 

Interviews
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Kadara Enyeasi Constructs An Ongoing Story With Latest Presentation of Work

ART/ICLES
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Jesse Glazzard’s ‘For Love or Nothing’ at 10-14 Gallery: “I Was Trying to Encapsulate How I Exist”

Lovers
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How Tamara Henderson’s ‘Green in the Grooves’ Explores the Importance of a Communion With the Earth That Surrounds Us

On View
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Antonio Scott Nichols: Interdimensional Life on Saturn

On View
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Urgent Calls to Action: How The Recent Unveils the Depths of our Environmental Crisis

On View
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Pullulating Boobs, Whining Children and Anthropomorphic Creatures: Spanish Painter Elena Garrigolas Isn’t Interested in Your Beauty Standards

ART/ICLES
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At Maison la Roche, Ludovic Nkoth Reframes the Portrayal of Blackness

On View
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Sin Wai Kin’s Portraits at Soft Opening: “Every Character That I’m Trying to Create Is a Site for People to See Themselves”

On View
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New Moon Magic: Where Passion Ignites New Beginnings

Cosmic Calling
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The Cowboy’s Long Ride Through Contemporary Culture

Fresh Take
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Ferrari, birdsong and the forces of nature: Nico Vascellari in Florence

On View
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How Lawrence Lek Built a Fictional AI Conglomerate Inside an Abandoned Berlin Shopping Centre

On View
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Referential Refraction in the World of Anthony Cudahy

ART/ICLES
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Lagos Art Week Roundup

Fresh Take
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Sheida Soleimani’s Striking Tableaus Map the Intergenerational Trauma of Displacement

ART/ICLES
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Jake Grewal Paints a Picture of What it Means To Be Alive

ART/ICLES
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How ‘Chopped and Screwed’ at White Cube, New York, Investigated Systems and Structures

On View
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Arlette’s José at Rose Easton: A Church In Which to Reflect Upon the Personal, Temporal and Sacred

On View
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Ali Banisadr Pieces a Fragmented World Back Together In ‘The Changing Past’ at Victoria Miro

On View
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‘We Can Become Limitless’: Soull and Dynasty Ogun on Their Art World Debut 

On View
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How ruby oyinyechi amanze’s Practice Interrogates the Role of Space

ART/ICLES
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The Eternal Ballad of Nan Goldin: Behind the Walls of Nan Goldin’s Last Retrospect

On View
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The Beauty in the Devil: Stefanie Moshammer’s ‘Each Poison, A Pillow’

On View
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Hilary Harkness’s Intricate Paintings Confront America’s Troubled History

On View
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Atlanta Art Week Roundup

Fresh Take
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Art in Odd Places: The Guerrilla Art Festival on 14th Street

Art Living
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CREEPING IT REAL – The Eclipse Aftermath 

Cosmic Calling
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Anna Uddenberg’s ‘Home Wreckers’ Explores Desire and Affect in Our Technology-Bound Consumer Culture

On View
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Wura-Natasha: Living, Moving and Transacting In Lagos

Interviews
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Kenny Rivero’s Debut UK Solo Show Channels the Atmospheric Feel of a NYC Summer

On View
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Emmanuel Massillon Masters Conspiracy

On View
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Even Ja’Tovia Has to Slow Down

Interviews
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Fashion Flirts With Time and Destruction: Tenant of Culture’s ‘Ladder’

The Index
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Stains of Glass: Catherine Opie’s ‘Walls, Windows and Blood’

ART/ICLES
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The Disorienting Vibrancy of Sable Elyse Smith’s Work

Interviews
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Jonah Pontzer: Rock Bottom Princess

On View
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Women Reclaim Space in “History of the Present”

Culture
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How MHYSA’s Third Album Channels E. Jane’s Archive of Black Divas

On View
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Misha Japanwala Creates for a New Millennium

Culture
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Daniel Lind-Ramos’s Moving Sculptures Are Vehicles for Puerto Rico’s History

On View
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5 Questions With Kara Chin on the Eve of Her Solo Show ‘Concerned Dogs’ at Goldsmiths CCA

5 Minutes With
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Why Lifting Up the Next Generation of Queer South African Photographers is Integral to Zanele Muholi’s Work

ART/ICLES
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Siddhartha Lokanandi: The Diasporic Pharmacist

Culture
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This Imaginative New Exhibition by Sophie von Hellermann Captures the Spirit of Genius

On View
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