5 Questions
Beatriz Milhazes on Bridget Riley and Mathematical Dreams
Beatriz Milhazes talks key influences, from mathematics to Rio de Janeiro’s Botanic Garden, and the importance of nature in her hyper-saturated paintings.
Sunday Read
Flying Too Close to the Sun
Contemporary Classics
The Untold Story of Giacometti’s Former Lover
Marry Me Differently
Just Promise Me One Small Thing…
What We Learned This Week
P Diddy’s Big Purchase and a Missing Digit
Yusuke Yamatani on Rhythm and Rebellious Energy
“I am not interested in photography where the subject is playing up to the camera”
Archive
More Real Than the Real Thing
Studio Visit
Monika Grabuschnigg on Pink and the Symbols of Love
Review
Red at Wyndham’s Theatre
Studio Visit
Sean Scully on Bank Robberies and Expectations
“For me, art is a mission.” Sean Scully talks about new forms of sculpture, creative emotions and living a nomadic life.
Studio Visit
Christopher P Green on Compulsive Collecting and Weird Drawings
Christopher P Green invites Holly Black to his studio, where they discuss resourceful art-making on a small scale.
Studio Visit
Pedro Reyes on Mexico, Music and Neoliberalism
The artist-activist opens up his remarkable Mexico City studio to discuss sonic sculptures, and suggests how Hollywood could change our perception of guns.
Studio Visit
Richard Stone on Marble, Movement and Multitasking
Richard Stone’s practice flits between sculpture and painting as naturally as changes in the weather.
Studio Visit
Will Ryman on Technology and the Unconscious
The American artist opens up his studio to discuss the tension between modern technology and organic material.
Studio Visit
Saad Qureshi on Learning to Trust Yourself
“When you leave art school, a new game unfolds.” Saad Qureshi's sprawling and poetic practice includes a range of mediums, from delicate sculpture to cosmic drawings.
Studio Visit
Natalie Frank on Fairy Tales and the Pornographic Imagination
Natalie Frank talks about a fantastical new body of work, inspired by the erotic Story of O.
Studio Visit
Hughie O’Donoghue on Van Gogh and Terrible Beauty
“You must give yourself up to the process. Subjects emerge slowly, like archaeology.” Hughie O’Donoghue’s hazy works are viscerally dreamy, rich in colour and texture.
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Showtime
Art and China on the World Stage
Contemporary Classics
Assignment No.1 by Qiu Zhijie
Sunday Read
Modernists and Mavericks by Martin Gayford
