Fresh Take

Will Good Art Save Us From the End of the World?

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I Wait (Rachel Gurney) by Julia Margaret Cameron, 1872. The J. Paul Getty Museum, Los Angeles

The Return of the Angel in Modern Art

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Is Site a Character in Matthew Barney’s Work?

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Palma Plays Itself: A Scene Report From the Balearic Art Enclave

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Paris Review

Marisol: Proclaimed as the “First Girl Artist With Glamour” by Andy Warhol

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The World Awaits CFGNY’s West Coast Arrival

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The Ultimate London Gallery Weekend Itinerary

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Problem Girls: The Irreverent and Defiantly Unclassifiable Pippa Garner

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Not all that glitters is gold: Mexico City’s current art landscape

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Egeværk fair highlight_ DRIFT at Carpenters Workshop Gallery

Four Artists Exhibiting at TEFAF Share Their Fair Highlights

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A Dirty Mirror in the House of God: On Maurizio Cattelan’s Sunday and November

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BdB corner (3.2) by Wayne Chisnall

Berlinde De Bruyckere Returns to Venice After 11 Years With New Works

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Inside The 2024 Independent Art Fair

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Gallery Weekend Berlin: Where the Sublime and the Ridiculous Coexist

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Highlights From the New Art Dealers Alliance Fair 2024

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In the Migrant Art Gallery: Legacies of Colonialism at the Venice Biennale

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DAAR (Deconolonizing Architecture Art Research), Concrete Tent (2015), (Sharjah, 2023), photos by Edmund Sumner for Sharjah Architectural Triennial-1

Under the Concrete Tent: Reflections on Palestine During Sharjah Art Foundation’s March Meeting

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Kiara Cristina Ventura Shares Intimate Streams of Consciousness from the Dominican Republic’s Lively Art World

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Why Women are Laying Themselves Bare in Visual Autofiction

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Maya Bailey, image courtesy Maya Bailey

What Are the Advantages of Having Artist Parents?

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Wilmer Wilson IV Locates Staples and Wood As Sites of Being and Communication

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When Guerilla Girls Met Pussy Riot

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Will the Apocalypse be Televised? – Eric White and Barbara Kruger Explore ‘Cursed Media’

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Artificial Intimacy: AI, Love and Sex

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