Fresh Take

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Not all that glitters is gold: Mexico City’s current art landscape

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Egeværk fair highlight_ DRIFT at Carpenters Workshop Gallery

Four Artists Exhibiting at TEFAF Share Their Fair Highlights

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A Dirty Mirror in the House of God: On Maurizio Cattelan’s Sunday and November

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Inside The 2024 Independent Art Fair

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Gallery Weekend Berlin: Where the Sublime and the Ridiculous Coexist

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In the Migrant Art Gallery: Legacies of Colonialism at the Venice Biennale

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DAAR (Deconolonizing Architecture Art Research), Concrete Tent (2015), (Sharjah, 2023), photos by Edmund Sumner for Sharjah Architectural Triennial-1

Under the Concrete Tent: Reflections on Palestine During Sharjah Art Foundation’s March Meeting

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Kiara Cristina Ventura Shares Intimate Streams of Consciousness from the Dominican Republic’s Lively Art World

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Why Women are Laying Themselves Bare in Visual Autofiction

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Maya Bailey, image courtesy Maya Bailey

What Are the Advantages of Having Artist Parents?

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Wilmer Wilson IV Locates Staples and Wood As Sites of Being and Communication

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When Guerilla Girls Met Pussy Riot

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Will the Apocalypse be Televised? – Eric White and Barbara Kruger Explore ‘Cursed Media’

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Artificial Intimacy: AI, Love and Sex

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The Art Farmers: Hauser & Wirth Somerset’s Fresh Crop

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Death and the Devil: The Fascination with Horror

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Can Depictions of Women in States of Submission Ever Be Considered Liberating?

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Daughters of the Dust: The Radical Soil-Based Work of Contemporary Women Artists

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What Does the Future Hold for India’s Rapidly Growing Contemporary Art Market?

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The New Horizons in Saudi Arabia

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10 Must-See Booths at Art Basel Miami Beach

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The Cowboy’s Long Ride Through Contemporary Culture

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Lagos Art Week Roundup

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Atlanta Art Week Roundup

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