Fresh Take

A Tour Through Art History’s Most Haunted Works

Art Living
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I Had My Nipple Moulded by Misha Japanwala 

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It’s Complicated: Elephant and gowithYamo’s Date Night at Somerset House

Art Living
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What’s It Really Like Being an Artist’s Assistant?

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From Squats to Mattress Shops: How Non-Commercial Galleries Are Surviving London

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What Echoes Carry: Dr. Jareh Das on Her Curatorial Process for Frieze 2025

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Dreaming of Alien Shores: The New Futures Presented by Speculative Art

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Atlanta Has Always Had Something to Say. It’s Up To The Rest of the World To Listen

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The Boone-issance Is Here! Mary Boone’s Big Return to the Art World

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The Armory Show’s Fair Designer,Mzwakhe Ndlovu, Shares His 2025 Highlights

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Paul Thek: Seized By Joy, Alive With Contradiction

Retrospect
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What Artists Really Think of AI

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What is an Artist’s Role in Resistance? Inside the AIA’s Fight Against Fascism

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The Legend Of Abularach: The Modern Master Through the Eyes of a Friend

Retrospect
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Medium Hot: Hito Steyerl on Artificial Stupidities and Existential Risk

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Who Is Picasso To An African Who Knows Their History?

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Lessons of the Hour: On Surveillance, Safety, and Survival

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“I Don’t Think I’m Staying Here”: Three Asian Art Students on Studying in Trump’s America 

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The Visionary Maria Martins 

Retrospect
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Bring Me Flowers in the Pouring Rain: The Politics of the Floral in 2025’s Exhibitions

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A Diagram of Desire: Androgyny, Queer Eroticism, and the Occult Visions of Ithell Colquhoun

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6-eva-hesse-in-her-new-york-studio-c-1968-photo-by-hermann-landshoff

Eva Hesse & Helen Chadwick: Wellness, Illness & Body Drama

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Recovery is Not a Single Passage: Care in the Artwork of Alberta Whittle

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1. LIFTPH1993011002010 ‘Lift Launch photographs’ (1993). Image provided by Special Collections & Archives, Gol

Sweat, Flares and Paraffin Explosions: Before There Was Tate Modern, There Was Bankside Power Station

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