ART/ICLES

Fragmented Faces: The Many Layers of Cindy Sherman

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‘Glass House’: Deconstructing Our Idea of Home with the Synergy of Art Forms

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Karina Sharif: The Elephant in the Room

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Sylvie Fleury’s Hot Tub Time Machine

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Translating Girlhood: Nina Mhach Durban and Athen Kardashian at Soup

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What Is Art? American Artist & the Ugly Side of Reality

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How Jan Gatewood Questions Human Empathy Through the Animal Figure

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Ali Eyal’s Phantom Figuration and the Mirage of Google Maps in Iraq

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Why Xiyao Wang’s Relationship With the Canvas Is Physical, Personal, And Even Transcendental

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How Andreas Eriksson Found The Answer In Freeing His Colours

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Quiladelphia: Americana Coded OnlyFans Stars Occupy the White Cube

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Beneath And Beyond The Leake Street Arches

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Niamh O’Malley and Ciarán Murphy, in Conversation

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How ‘Unnamed Figures’ at the American Folk Art Museum Challenges Dominant Narratives of American History

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Ed Bereal Was Born to Do This: A Conversation With the Iconic Artist Ahead of Art Basel Miami

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Jamel Robinson – Fighting Upstream, from Harlem to Hudson

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No Escaping the Nastiness: Taína Cruz’s Portraits in the Age of the Selfie

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Kadara Enyeasi Constructs An Ongoing Story With Latest Presentation of Work

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Pullulating Boobs, Whining Children and Anthropomorphic Creatures: Spanish Painter Elena Garrigolas Isn’t Interested in Your Beauty Standards

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Referential Refraction in the World of Anthony Cudahy

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Sheida Soleimani’s Striking Tableaus Map the Intergenerational Trauma of Displacement

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Jake Grewal Paints a Picture of What it Means To Be Alive

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How ruby oyinyechi amanze’s Practice Interrogates the Role of Space

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Stains of Glass: Catherine Opie’s ‘Walls, Windows and Blood’

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