Art Living

Art Daddy’s Field Notes from LA Art Week

Art Living
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Earrings for Peggy Guggenheim, c. 1938

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Napoles Marty in Conversation with Diana Nawi: Mentorship, NXTHVN, and the Frieze Los Angeles Impact Prize

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Two Artists, One Frequency: Abby Manos and Spencer Hawk Move In Sync

Lovers
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Anthropophagic Diaries: Cultural Cannibalism in Mexico City

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Postcards from CONDO

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“Which Side of the Glove Are You?” : A Conversation With Laurent Proux

In the Studio
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Generosity of Time: Adrián Villar Rojas’ First Bronze in Le Brassus

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The Opening of GICA: Rwanda’s First Independent, Non-Profit Contemporary Art Institute

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Camille Gallogly Bacon Peels Herself—And Art Criticism—Off The Page

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Who Gets to Be a Revolutionary? Camille Henrot at Lina Bo Bardi’s Glass House

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Seven Comedians on the Blurry Line Between Art, Comedy, and Feeling Something

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British Art Legends: Hew Locke, ‘Passages’ and His Inspiring Odyssey of a Career

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The Art Moments That Stayed With Us: Eight Creatives on 2025

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Studio Santa: He Visits Just Once a Year, To Artists Devoted, and Those Quite Sincere

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The Elephant Gift Guide: Twelve Ideas for the Artists in Your Life

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For Maria Vogel and Caleb Hahne Quintana, Romantic Partnership Becomes a Creative Force

Lovers
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Miami Beach, Where Neon Goes to Die

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Following the Brush: John Zurier on How Place Seeps Into the Psyche

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“Play is Really Serious”: Harold Offeh Knows It Could Be Sweet

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Exceptional Supply, Not Market Revival: Inside New York’s Autumn Auctions

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Miles Greenberg In His Own Words

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Caterina Barbieri’s Biennale Revolution

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Pornography, Human Excrement and Desperation: Mire Lee Isn’t Afraid of the Grotesque

In the Studio
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