Art Living

Six L.A. Organizations Fostering Change Through Art at Frieze L.A.

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Behind the Lens: André Uncut’s Exclusive Photo Diary from the Opening of ‘Giants’ at the Brooklyn Museum

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Art in Odd Places: The Guerrilla Art Festival on 14th Street

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Who is Kiara Cristina Ventura?

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How Mutual Aid Network ‘Public Assistants’ Are Challenging the Politics of Respectability

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Trading Places: Visiting the Changing Spaces of Zineb Sedira

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Hands Off! Why Is Physical Contact with Art Such a Touchy Subject?

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Are Art Fairs Worth the Effort? Or Are They Just a Big Waste of Time?

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We Are Family: How Not to Exclude Artist Mothers (And Other Parents)

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Diverse Voices: The Changing Face of Curating

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Acting Out: Exploring Personality Through a Graphic Novel Set in a Drama Class

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You Got Rhythm: Exploring the Connection between Dance and Life

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What If People Don’t Like My Art? How Can I Deal With Criticism?

Advice Column
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Splash Out on a New Artwork for Your Wall

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Hit Me Where It Hurts: Where Do Pop Culture, Violence and Art Meet?

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Explore Art’s Past, Present and Future in Elephant’s Autumn Winter 2022 Issue

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Marina Perez Simão: “I Never Work When I’m Sad”

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Boys Will Be Boys: A Celebration of Growing Up Male

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Learn to Paint Like an Old Master

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Hadi Fallahpisheh: “Art Has the Power to Make Someone Think Twice”

5 Minutes With
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Left: The Studio (Broom and Mushroom), 2015. Centre: Still Life, 2015. Right: The Studio (Never Tear Us Apart), 2015

Fabulous Flights of Fancy Fill the Works of Emily Mae Smith

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Hussein Al-Chokhdar: “My Journey to the UK Has Meant That I Found a Voice”

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Khatun photographed by Furmaan Ahmed for Elephant

Khatun: “I Take Photographs and Make Films to Learn About People’s Lives”

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Tanoa Sasraku: “I Always Struggled with the Idea of Patriotism”

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