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The Anecdote
The Index
The Index
At the Indian Pavilion in Venice, Home Is Unfixed
The Index
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Anni Albers, Necklace, c.1940
The Index
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Producing Legibility with Sable Elyse Smith
The Index
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Art Smith, Modern Cuff, c.1948
The Index
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Judie Bamber in Detail
The Index
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What’s In the Cards for Julia Jo? A Live Tarot Reading
The Index
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Elsa Schiaparelli, Insect Necklace, c. 1938
The Index
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“Which Side of the Glove Are You?”: A Conversation With Laurent Proux
In the Studio
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“You Can Travel While Standing Still”: Toyin Ojih Odutola on Method, Freedom, and the Mbari House
The Index
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Seven Comedians on the Blurry Line Between Art, Comedy, and Feeling Something
Art Living
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Pam Lins and Roger White on Assembly Under Pressure
The Index
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Hortensia Mi Kafchin Has A Message For The Aliens Above Us
The Index
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“The Meeting of Control and Surrender”: Maria Kreyn Explores the Hyperobject
The Index
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After the Party with Agnes Scherer
The Index
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Dotty Attie Plays Psychological Games
The Index
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What Explains Our Impulse to Document Our Injuries?
The Index
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This Room Has a Heartbeat: Jonathan Lyndon Chase on Reimagining Acne Studios SoHo
The Index
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PlayLab’s Most Iconic Moments, In No Particular Order
The Index
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Of Bodies and Borders: Felipe Baeza and Seba Calfuqueo on Survival and the Right to Remain Unseen
ART/ICLES
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The Art Museum Is Expanding From Galleries to Guest Suites
The Index
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Vian Sora Paints Life’s Precarious Cycles With a Defiant Beauty
On View
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The New York Shows You Need to See this Spring
The Index
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The wounds of war in Ivana Bašić’s ‘Temptation of Being’ at Albion Jeune, London
The Index
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“What’s Left of Our Vitality Should be Devoted to Resistance”: Michèle Lamy Continues to Defy Convention
Art Living
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