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The Index
Jesse Glazzard’s ‘For Love or Nothing’ at 10-14 Gallery: “I Was Trying to Encapsulate How I Exist”
The Index
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Fashion Flirts With Time and Destruction: Tenant of Culture’s ‘Ladder’
The Index
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5 Questions with Paul Maheke
The Index
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Xiao Wang’s Photo Realistic Paintings Capture the Endless Possibility of Dreaming Minds
The Index
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5 Questions With Kara Chin on the Eve of Her Solo Show ‘Concerned Dogs’ at Goldsmiths CCA
5 Minutes With
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Nicolas Coleman Illustrates His Latest Explorations Into the Psychology of Geography and Travel
The Index
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Five Questions with Andina Marie Osorio
The Index
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Uman’s Studio in Upstate New York is a Portal to a Kaleidoscopic World
The Index
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Artist Explorer Alteronce Gumby Takes Us on a Cosmic Journey of ‘Color’
The Index
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These Subversive Works by Beverly Semmes Paint Clothing in a New Light
The Index
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Before Robots, We Had Puppets: Sculptor Liao Wen asks “Why Do We invent Human-Shaped Things?”
The Index
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The Generosity of General Idea
The Index
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The Melodrama of Kyle Dunn’s Night Pictures
The Index
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Let’s Rock! Why Has Art Taken a Geological Turn?
The Index
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Penny Slinger: “If Art Cannot Shift Your Sense of Reality, Then It Is Not Doing Its Job”
The Index
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Talking Trash: Digging the Dirt with Marina Abramović
The Index
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Opening the Shutters: Inside the World of David LaChapelle
The Index
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Hip to be Square: Celebrating 30 years of Cubitt
The Index
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Laure Mary-Couégnias: “I Need to Forget That I Exist When I Paint”
5 Minutes With
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Another Time, Another Place: Inside the Mind of Haegue Yang
The Index
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Drawing Apocalyptic Visions for the Future with Viktor Hachmang
In Print
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Double Encounter: John Akomfrah and Ayana V Jackson Interview Each Other
The Index
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The Space Between Us: Laurie Anderson Reflects on Post-Trump America
The Index
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A Cut Above: The Women Using Collage to Assemble Their Own Art Spaces
The Index
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