The three galleries that caught our attention at The Armory Show this week all have one thing in common, a bold and highly playful use of colour. Whether showing groups of artists who clash in the just the right way, or curating solo shows of work by artists with a renowned love for all that is flashy, these galleries know how to shout above the crowd.
GRIMM’s artists have been selected eclectically; peering through Dustin Yellin’s vibrant glass sculptures, filled with repeated collages, Dana Lixenberg’s black and white portrait series, Imperial Courts can be seen. Nick Van Woert’s Among The Sierra Nevada Mountains — with an extensive list of materials that includes cat litter, concrete mix and Muscle Milk chocolate lean muscle protein powder — adds a further burst of colour.
In Ronald Feldman’s darkened booth, hangs Shih Chieh Huang’s latest creation. His use of mundane, household appliances is anything but everyday; looking not too dissimilar to a deep-sea creature from David Attenborough’s Planet Earth, T-26 is a kinetic, almost alien form. A process of deconstruction, re-scrambling and a re-construction can be witnessed through the combination of movement and light, essential to bringing the amalgamation, resembling a spider, octopus and angler fish, to life.
Galerie Guido W Baudach’s space is floored with large, bright pink tiles, that are laid in grid formation, creating a powerful effect with the gold-laden works of Swiss artist Yves Scherer, who is enjoying a solo show at the booth. A nude sculpture of Emma Watson sits at the centres of the booth, alongside a water tank sculpture laid on a fur rug (a pair of tracksuit legs and bright socks appearing from the water), and various wall hung works.