Benjamin Verheijden

Long Phone Call with Lyle Ashton Harris

Artist X Artist

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“Meeting You Felt Like a Balm”: Cassandra Mayela Allen and Natalia Lassalle-Morillo Are Going Deep

Artist X Artist

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Ralph’s Beach Parties: In Which The Past Is Also Present

Art Living

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Studio Santa: What’s on Artists’ Wishlist’s This Year?

Art Living

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The Spectacle of Empire: An Art Historical Context For Gladiator II (2024) 

Culture

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The Moments That Defined Nigeria’s Artistic Landscape in 2024

ART/ICLES

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December Shows to Close the Year and Open the Next

Reframe

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How to Have a Film Festival at Home

Culture At Home

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Hoor Al Qasimi Went From Working 20-Hour Days to Leading One of the Most Important Biennials in the World

In Conversation

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Anna Thérèse Witenberg’s Choreography of Love & Envy

ART/ICLES

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Still Entertained! An Art Historical Context for Gladiator (2000) Before Gladiator II (2024)

Culture

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Modern Ancient Brown Ensures that Detroit Artists Will Maintain Enduring Legacy 

In Conversation

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Lost and Found: Exploring the Art World’s Reclamation of the Teddy Bear

Fresh Take

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Danny Fox’s Exhibition at Henry Taylor’s LA Space Is a Full Circle Moment

ART/ICLES

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Marie Tomanova Has Found Herself (Again)—and Together With Thomas Beachdel, She’s Only Getting Started

Lovers

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At The Nail Salon with Polly Morgan

Art Living

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A Day Out in East London with Olivia Erlanger

Art Living

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The Booths Our Editors Don’t Want You to Miss at Art Basel Paris 2024 

Fresh Take

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A Delirious Carnival and a Haunting Ritual: Jon Serl’s ‘No Straight Lines’ at David Zwirner

On View

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“There’s VIP, and then there’s VVIP”: Party Reporting from the Ginny on Frederick x Rose Easton x Wschod x 56 Henry Party

Art Living

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Mire Lee is Risking it All

In Conversation

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The Very Best of London’s Frieze Week 2024: Outside of the Tent

On View

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Vivien Zhang’s Butterfly Effect

The Index

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You’ll Find Devin B. Johnson In His Studio Burning Incense and Wearing Rubber Clogs

Artist's Choice

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