Portuguese artist Helena Almeida described her output, which ranged from photography and performance to drawing and video art, as being an extension of her physical self: “My work is my body, my body is my work.” And most of her work does indeed centre around some version of self-portraiture, although the artist’s face is usually obscured, inviting the viewer to contemplate her form and positioning rather than her persona. This image, from her 2001 series Voar (To Fly)
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, finds Almeida playfully emulating a bird or plane, held aloft by a stool—a Friday feeling if ever we saw one.