Sunday reading: In a new feature for Elephant
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, Madeleine Pollard meets artists looking to reclaim the cowboy, and debunk its associated clichés, within their work. One such figure is American artist Jonathan Lyndon Chase, whose experimental two-part book Wild Wild Wild West/Haunting of the Seahorse
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features “pen and ink drawings of cowboy hats, horseshoes and naked cowboys on horseback”. In Chase’s work, the cowboy is “represented as an intersectional space of desire, self-discovery and decolonisation,” Pollard explains—to striking effect. Read the full article here.
