Kickstarting Monday morning with a curiously compelling kitchen scene from the radical British artist Linder, who rose to fame as part of the punk and post-punk scene of the mid-1970s, creating seminal album covers for the Buzzcocks. Thereafter, she turned her hand to photomontage with a distinct, feminist bent. Since then, her practice has further expanded to include performance, photography, music and more, and is now the focus of a new retrospective at Kettle’s Yard in Cambridge—an apt venue for the nude, teapot-headed protagonist of this deliberately domestic set-up.
