No one puts a Freudian spin on everyday objects quite like the British artist Sarah Lucas, who, for three decades now, has utilised everything from food, furniture and stuffed panty-hoes to serve up bitingly satirical commentaries on British culture, sexuality and gender stereotypes. This 1995 piece, a T-shirt-touting table, replete with two melon breasts and a pointedly placed bag of fish, is no exception, taking the idea of “objectification” to new heights.
