The Index

Vian Sora Paints Life’s Precarious Cycles With a Defiant Beauty

On View
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Lakes, Leather and Liquor: The Only Guide You’ll Need for Expo Chicago

The Index
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The New York Shows You Need to See this Spring

The Index
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The wounds of war in Ivana Bašić’s ‘Temptation of Being’ at Albion Jeune, London

The Index
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“What’s Left of Our Vitality Should be Devoted to Resistance”: Michèle Lamy Continues to Defy Convention

Art Living
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Driving Fast: Anthony Azekwoh on Digital Art, Success and What’s Next

The Index
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Dream, Dare, and Do in February 2025

Cosmic Calling
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Precious Okoyomon Sings Karaoke with Eartheater and Reveals their Love for John Mayer & Milk Maidens

Interviews
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Elephant Makes Art World Predictions for the Twelve Months Ahead 

The Index
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Romare Bearden, The Piano Lesson (Homage to Mary Lou) (1983)

Art Imitates Art: 5 Films Inspired by Paintings

The Index
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Image courtesy of Genaro Molina, Los Angeles Times

Los Angeles is on Fire

The Index
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You Can Now Watch Three Pieces of Great Theatre in One Day (But Don’t Do It)

The Index
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7 Days in 20 Photos in Magic City

The Index
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How to Have a Film Festival at Home

Culture At Home
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The Cocktail Party Effect: Benjamin Godsill’s Plans for Art Basel Miami Beach

The Index
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How to Feel: Five Artists Reflect on Alvin Ailey’s Incredible Legacy

The Index
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Lina Iris Viktor’s Distinct Mythology- A Photo Diary From The Artist’s Home on the Amalfi Coast 

The Index
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SC103 Is Weaving Downtown NYC’s Community Together One Stitch at a Time

The Index
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Vivien Zhang’s Butterfly Effect

The Index
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The Industrial Past of Cudelice Brazelton IV’s Work 

Interviews
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On a Scale of Cold Professionalism to Heartfelt Compassion, Where Do You Fall in September’s Cosmic Calling? 

Cosmic Calling
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“It Almost Feels Like a Utopian Top Up”: Notting Hill Carnival According to Mattia Guarnera-MacCarthy and Marcus Jefferson

The Index
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Ruby Neri’s Paintings Are a Full Circle Moment

The Index
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John Waters Believes in Art That Wrecks Things

The Index
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