Sundays are best spent engaging with nature, as demonstrated by the British sculptor Tony Cragg in this 1972 work Stone Circle—one of various performance pieces in which the artist arranged his body as a canvas for a shapely assemblage of pebbles. “Drawing on both the natural world and industrial systems,” explains Cragg’s gallery Marian Goodman, the artist seeks to “create new forms of sculptural language”, and has done so in a variety of innovative ways across the course of his storied career.
