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Emily Steer

Emily Steer writes about the intersection of art and food, as well as sex, psychology, the natural world and the future of drawing. Previously, she worked as online curator at Art Wednesday, a cultural magazine and creative marketplace for artists and independent designers. As a freelance writer, she has contributed to titles including Munchies, i-D, AnOther, Time Out and the Telegraph, with a special focus on the politics of food.
polly morgan

The Provocative Taboo of Taxidermy in Art

The Index
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Robert Lostutter

Robert Lostutter, Untitled, 1970

Culture
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Richard Sandler, CC Train, NYC, 1982

Culture
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Seana Gavin, Mindful Mushroom

Culture
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Adam Parker Smith, Sun, 2019

Culture
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Juergen Teller, Binx, Accra, Ghana, 2019

Culture
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Kahlil Joseph

Kahlil Joseph, BLKNWS, 2018-ongoing

Culture
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Marina Abramović, Freeing the Voice, 1975

Culture
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Larry Achiampong, Sunday’s Best

Culture
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France-Lise McGurn, Easy Emotia, 2019

Culture
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Sanlé Sory, Maliennes Coquettes, 1969

Culture
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Katrina Daschner, Untitled (Vienna – México), 1999

Culture
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Silvia Rosi, Self Portrait as my Father

Culture
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Gordon Cheung, Towers of Water, 2020

Culture
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Cassi Namoda, Family Portrait in Gurúè, 2019

Culture
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William Wegman, Casual, 2002

Culture
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Estelle Hanania, from Gisèle Vienne’s The Ventriloquists Convention, 2014

Culture
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Anastasia Taylor-Lind, Untitled, 2019

Culture
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Rose Wylie, Girl in Tights, 2019

Culture
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Louis-Jacques-Mandé Daguerre, Still Life, 1837

Culture
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Puck Verkade, Plague Deconstructed, 2019

Culture
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He Chengyao, Public Broadcast Exercises, 2004

Culture
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Maureen Scott, Mother and Child at Breaking Point, 1970

Culture
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How Food Became One of the Most Loaded Subjects of the Decade

Art Living
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