ART/ICLES

MLR58311

1-54 Art Fair in Marrakech Allows African Artists to Be Themselves

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7. Fergus Greer Session 7, Look 37, June 1994 (c) Fergus Greer

‘If You Label Me, You Negate Me’ An Exclusive Preview of Leigh Bowery at Tate Modern

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Martina Cox: Bound for Pleasure

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The Moments That Defined Nigeria’s Artistic Landscape in 2024

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Anna Thérèse Witenberg’s Choreography of Love & Envy

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Tobias Bradford and the Titillating Macabre

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Danny Fox’s Exhibition at Henry Taylor’s LA Space Is a Full Circle Moment

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Tosh Basco’s Body is a Conduit for Her Vision

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Hospital Rooms and the Art of Recovery

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“Every Version of it Tore Me Apart”: Zia Anger on Her New Movie ‘My First Film’

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Allison Katz on Pompeii, Painting and ‘In the House of the Trembling Eye’

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Getting Deep with Paul Waters

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Palm Heights Mas Band Reinvents Carnival with Floats by Artists Naudline Pierre and Caitlin Cherry

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Imran Perretta’s Monument for a Dream

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Hans Ulrich Obrist’s Ideal Festival

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Lawrence Lek Is Awarded the 2024 Frieze Artist Award

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Ser Serpas is Everything, Everywhere, All at Once

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How ‘South West Bank’ Tends the Legacy of Palestinian Life and Culture

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Inside Yael Bartana’s Dream of a Post-Planetary, Boundless Utopia

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Karla Ekaterine Canseco’s Practice of Excavation

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Isabella Ducrot, Abito rosa-rosso 2020 Indian textile and pigment on Japanese paper 266 x 198,5 cm Courtesy the artist and Galerie Gisela Capitain, Cologne

A Deep Dive Into the Whimsical Work of Isabella Ducrot

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Xingzi Gu - Pure Heart Hall - Lubov - 11 - Untitled Ruddy or Ruddy Ice 3

Xingzi Gu’s Echoes of Erotica

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Wynnie Mynerva’s Heavenly Bodies

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Gravity and GRACE: The Colourful World of Alvaro Barrington‘s Tate Commission

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