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ART/ICLES
Fragmented Faces: The Many Layers of Cindy Sherman
ART/ICLES
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‘Glass House’: Deconstructing Our Idea of Home with the Synergy of Art Forms
ART/ICLES
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Karina Sharif: The Elephant in the Room
ART/ICLES
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Sylvie Fleury’s Hot Tub Time Machine
ART/ICLES
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Translating Girlhood: Nina Mhach Durban and Athen Kardashian at Soup
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What Is Art? American Artist & the Ugly Side of Reality
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How Jan Gatewood Questions Human Empathy Through the Animal Figure
ART/ICLES
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Ali Eyal’s Phantom Figuration and the Mirage of Google Maps in Iraq
ART/ICLES
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Why Xiyao Wang’s Relationship With the Canvas Is Physical, Personal, And Even Transcendental
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How Andreas Eriksson Found The Answer In Freeing His Colours
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Quiladelphia: Americana Coded OnlyFans Stars Occupy the White Cube
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Beneath And Beyond The Leake Street Arches
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Niamh O’Malley and Ciarán Murphy, in Conversation
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How ‘Unnamed Figures’ at the American Folk Art Museum Challenges Dominant Narratives of American History
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Ed Bereal Was Born to Do This: A Conversation With the Iconic Artist Ahead of Art Basel Miami
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Jamel Robinson: Fighting Upstream, from Harlem to Hudson
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No Escaping the Nastiness: Taína Cruz’s Portraits in the Age of the Selfie
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Kadara Enyeasi Constructs An Ongoing Story With Latest Presentation of Work
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Pullulating Boobs, Whining Children and Anthropomorphic Creatures: Spanish Painter Elena Garrigolas Isn’t Interested in Your Beauty Standards
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Referential Refraction in the World of Anthony Cudahy
ART/ICLES
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Sheida Soleimani’s Striking Tableaus Map the Intergenerational Trauma of Displacement
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Jake Grewal Paints a Picture of What it Means To Be Alive
ART/ICLES
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How ruby oyinyechi amanze’s Practice Interrogates the Role of Space
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Stains of Glass: Catherine Opie’s ‘Walls, Windows and Blood’
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