In Conversation

Hyundai Commission Mire Lee Open Wound, Installation Photo. Photo © Tate ( Lucy Green) (2)

Mire Lee is Risking it All

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Fabienne Verdier is Letting Go with Every Stroke She Paints

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Alison Jacques Won’t Be Put in a Box

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Memory Is a Riverbed: A Conversation with Roksana Pirouzmand

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“Every Version of it Tore Me Apart”: Zia Anger on Her New Movie ‘My First Film’

ART/ICLES
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 Tyler Mitchell Comes Home to Atlanta 

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A. G. Cook on Worldbuilding & Time Travelling

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Building Sculptures From the Neck Down with Nicole Eisenman

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What Do the Arts, Activism, Modelling, Filmmaking, UK Rap and Motherhood All Have in Common? Eunice Olumide MBE.

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The Rites and Rituals of Photography Duo Studio Reyes & Israela

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Dave Free: A Pin-up for Aliens

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Trading Places: Two Gallerists Collaborate Across the Atlantic

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Uthman Wahaab is Redefining Mysticism for a New Generation

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Ethiopia Pavilion’s Artist Tesfaye Urgessa: “Prejudice and Belonging is About Every Foreigner Living in a Foreign Land”

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Hãhãwpuá Pavilion’s Artist Glicéria Tupinambá: “So Much of Our Heritage is Trapped on European Ground”

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Conserving Sacred Remnants with Theaster Gates

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Getting Vulnerable with Hugo McCloud

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Terence Nance is Deindustrialising Cinema

ART/ICLES
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Hot Off the Press: Gallerist Tif Sigfrids Resurrects the Alt-Weekly

Art Living
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Terry Allen Just Wants to Get Back Into His Studio

Polymath
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Essence Harden is Everything and Everywhere, All at Once

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Good in Any Hood: Andrew Pierre Hart Opens at Whitechapel Gallery

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Paulo Nimer Pjota on Evoking Myth and Mysticism

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Species Lost and Found: The Evolution of Sally von Rosen

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