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Samuel Goff
Mobsters and the Mona Lisa: What Does Da Vinci’s Painting Add to a 1960s Yakuza Film?
Culture
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Power, Poussin and Penises: Why Does Fassbinder Put Midas And Bacchus on Film?
Culture
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The Memeification of Rodchenko’s Iconic Soviet Portrait
Culture
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The Soviet Textile Artist Who Wove Together Technology and the Avant-Garde
Art Living
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