Culture

Mitch, Is That Me, 2022

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Ukraine Days by Vinca Petersen Celebrates the Spirit of the Nation

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Michael Clark, To A Simple, Rock ‘n’ Roll . . . Song, 2020

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István Nagy Jr, Szenes House, 1906

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Alberta Whittle, I is For the Illusion of Inclusion, 2018

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Traditions Collide as Dexter McLean Blends Portrait and Documentary

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Anthea Hamilton, Project for a Door (After Gaetano Pesce), 2015

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Dorothea Tanning, Self-Portrait, 1944

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National Emergency Management Agency (NZ). Civil Defence poster campaign, Ministry of Civil Defence, New Zealand, 1980s

Are You a Survivor? This Book Might Have All the Answers…

Art Living
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Tony Cragg, Stone Circle, 1972

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Pavlo Makov, Night (Colour Insert from Abracadabra), 2019–2020

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Sin Wai Kin, It’s Always You, 2021

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Francis Alÿs, Don’t Cross the Bridge Before You Get to the River, 2008

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Crowd and Proud: The History of the Flash Mob

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Alexander Calder, Ghost, 1964

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This Photo Captures the Absurdity of the Art World

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Hulda Guzmán, What’s my Drag?, 2022

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Ismail Fatah Al Turk and Saman Kamal, Al-Shaheed Monument, Baghdad, 1983

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Sense and Sensationalism: Is There More to Philip Guston than Controversy?

Art Living
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Sarah Blais, Tamburins White Object, 2020

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Ensamble Studio, Ca’n Terra, 2020

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Carolina Aguirre, The Thief, 2021

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No Pane, No Gain: When Covid Forced Photographers to Work Through Windows…

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Néle Azevedo, The Minimum Monument (Melting Men), 2009

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