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Emily Steer

Emily Steer writes about the intersection of art and food, as well as sex, psychology, the natural world and the future of drawing. Previously, she worked as online curator at Art Wednesday, a cultural magazine and creative marketplace for artists and independent designers. As a freelance writer, she has contributed to titles including Munchies, i-D, AnOther, Time Out and the Telegraph, with a special focus on the politics of food.

Francisco Mendes Moreira, Land Lover, 2019

Culture
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david shrigley, i'm dead, 2010, southbank

David Shrigley, I’m Dead, 2010

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Anja Carr

Culture
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Corey Hayman, All FTSE No Toes, 2018

Culture
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Maisie Cousins, Bottom of the Fridge, 2018. Courtesy the artist and TJ Boulting

Dirty Rotten Mouthfuls: Why Artists Love Decaying Food

The Index
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John Powell-Jones, Cloudwater labels

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Tristan Pigott, Saint George Mocked, 2019

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Linder, The Goddess Who Makes the World Rotate, 2019

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Pipilotti Rist, Homo Sapiens Sapiens, 2005

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© 1970 Yoko Ono

Yoko Ono and John Lennon, Still from Fly, 1970

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Lucy Jones, The Seeing Orator, 2018

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2001: A Space Odyssey, directed by Stanley Kubrick, 1965–68

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Adam Pape, Untitled, 2018

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Terence Stamp on the set of John Schlesinger’s Far From the Madding Crowd, 1967

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Malachi Farrell, Constantin Leu, Ludovic Nobileau, Human Clock, Le Voyage à Nantes, 2019

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Exclusive to Paintings in Hospitals © Michael Craig-Martin 

Michael Craig-Martin, Savarin Can (Turquoise), 2018

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Janet Currier: Motherhood & Microbiology

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Jack Latham, Great Grey Owl, 2018

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Ho Tzu Nyen: Terror and Metamorphosis

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Scott Eaton, Contemplating Mass Unemployment II, 2019

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Paula Gately Tillman, Nelson Sullivan, 1986

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Nathan Beard, Floral Arrangement 1

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The Artist Who Travelled the World with Basquiat

Culture
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Cui Xinming: Toxic Light and Everyday Calm

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