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Emily Steer

Emily Steer writes about the intersection of art and food, as well as sex, psychology, the natural world and the future of drawing. Previously, she worked as online curator at Art Wednesday, a cultural magazine and creative marketplace for artists and independent designers. As a freelance writer, she has contributed to titles including Munchies, i-D, AnOther, Time Out and the Telegraph, with a special focus on the politics of food.

Model Wearing Pierre Cardin Blue Wool Vest with Leather Details, 1992

Culture
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Blondey, Rihanna, Since Sliced Bread

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Two-channel HD video, stereo sound, 19 min. Photo by Roman Mensing

Wu Tsang, We Hold Where Study, 2017

Culture
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Bradley Wood, Pineapple Ham, 2019

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Heather Phillipson, What’s the Damage?, 2017

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Smith, Emily Mae, Wheels of Fortune, 2018, 9 x 11 in, 22.9 x 27.9 cm, CNX 61.487 (email)

Emily Mae Smith, Wheels of Fortune, 2018

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Richard Rawlins, The True Crown, 2018

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Hannah Quinlan & Rosie Hastings, The Scarcity of Liberty #2, 2016

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Mark Power, 600 Cafe, Miles CIty, Montana 10.18, Magnum Photos

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Maarten Van Roy, Untitled, 2016. Installation view Kevin Spacy, Simultanhalle, Cologne. Photo by Martin PlÅddemann

The Belgian Festival Breaking the Mould with Optimistic Art

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Neil Armstrong, Astronaut Edwin E Aldrin Jr Walks on the Surface of the Moon, Apollo 11, July 16-24 1969

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Wong Ping, Who’s the Daddy, 2017

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Issy Wood, Yellow Jacket (Big Sigh), 2019

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Vojtěch Kovařík, Nightclubbing, 2018

Culture
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Josephine Pryde, Scale XXVIII, 2012

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Patrick Caulfield, Pony, 1964

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Nicolas Party, Bust, 2019

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Penny Slinger, Penny As Shakti, 1976

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Poppy Thorpe, Untitled from Bare Cheeky, 2019

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Miguel Rio Branco

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© Amalia Ulman & Arcadia Missa, London

Amalia Ulman, Excellences and Perfections

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Ai Hasegawa, I Wanna Deliver A Dolphin (Vandalized Statue), 2013

Ai Hasegawa: Environmentalism & Baby Dolphins

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Keith Haring, Crack Down!, 1986

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Marianna Simnett, Blood in My Milk, 2018. Still 5-channel HD video instillation.

Marianna Simnett: Blood & Milk

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