Emily Burke

How Jan Gatewood Questions Human Empathy Through the Animal Figure

ART/ICLES

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Oda Jaune’s Daydreams Mingle With Reality

SEX/ART

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Rendering the Invisible Visible: Five by Five at the Incubator

On View

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“I Want to Make the Art World Bigger”: Sarah Kravitz on Championing a New Wave of Non-Western Artists

In Conversation

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Monica Sjöö: The Great Cosmic Mother of Anarchist Art

On View

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Art, Propaganda and Resistance: ‘Self-Determination – A Global Perspective’ at Imma, Dublin

On View

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Beneath And Beyond The Leake Street Arches

ART/ICLES

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The Metropolis in Fabulous Flux: Nostalgia, Anxiety, and the Phantasmagoria of Change

In Conversation

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The Lovers: A Conversation With Larry Cook and Nakeya Brown

Lovers

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Ed Bereal Was Born to Do This: A Conversation With the Iconic Artist Ahead of Art Basel Miami

ART/ICLES

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Sugar-Coated Realities: An Interview With the Artists of ‘Saccharine Symbols’

The Index

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How Southway Studio is Curating a Cultural Ecosystem in Marseille

The Index

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What of the vulva in art?

SEX/ART

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No Escaping the Nastiness: Taína Cruz’s Portraits in the Age of the Selfie

ART/ICLES

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At Lausanne’s Photo Elysée, a history of photography in three acts

On View

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Sex Exhibitions and the Line between Objectification and Education

SEX/ART

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Jem Perucchini Celebrates the Legacy of Black British People in ‘Rebirth of a Nation’ in Brixton’s Underground Station

On View

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How Bingen TV at Mimosa House Explores the Art Gallery as a Garden

On View

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Reginald Sylvester II’s Afro Futuristic Works Are Omens of The Apocalypse 

In Conversation

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Kadara Enyeasi Constructs An Ongoing Story With Latest Presentation of Work

ART/ICLES

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At Maison la Roche, Ludovic Nkoth Reframes the Portrayal of Blackness

On View

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Sin Wai Kin’s Portraits at Soft Opening: “Every Character That I’m Trying to Create Is a Site for People to See Themselves”

On View

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The Cowboy’s Long Ride Through Contemporary Culture

Fresh Take

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Ferrari, birdsong and the forces of nature: Nico Vascellari in Florence

On View

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