Emily Burke

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The Armory Show 2024, Through the Eyes of The Kitchen’s Robyn Farrell

Art Living
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“Every Version of it Tore Me Apart”: Zia Anger on Her New Movie ‘My First Film’

ART/ICLES
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Is Marseille Cooler than Berlin? Elephant’s Definitive Guide to a Weekend in Marseille

Where It's At
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“It Almost Feels Like a Utopian Top Up”: Notting Hill Carnival According to Mattia Guarnera-MacCarthy and Marcus Jefferson

The Index
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 Tyler Mitchell Comes Home to Atlanta 

In Conversation
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Pedazos de Perra

Karla Ekaterine Canseco’s Practice of Excavation

ART/ICLES
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Isabella Ducrot, Abito rosa-rosso 2020 Indian textile and pigment on Japanese paper 266 x 198,5 cm Courtesy the artist and Galerie Gisela Capitain, Cologne

A Deep Dive Into the Whimsical Work of Isabella Ducrot

ART/ICLES
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Dreaming Up Hypothetical World’s in Olivia Erlanger’s Studio

Studio Sense
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The World Awaits CFGNY’s West Coast Arrival

Fresh Take
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The Truth Is Out There: Chloe Wise Believes in Aliens and Other Phenomena

Reading Out Loud with Emily Burke
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The Best of Art Dubai 2024

On View
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Who is Martin Eaton? The Restless Pioneer Who Has Finally Found His Home

Art Living
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Fragmented Faces: The Many Layers of Cindy Sherman

ART/ICLES
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How Rachel Rose and Paulina Olowska Took Me Back to the Woods

This Artwork Changed My Life
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Saliva Lounges and Pram Playgrounds at the Biennale de l’Image en Mouvement 2024

Best Of
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Species Lost and Found: The Evolution of Sally von Rosen

In Conversation
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How Jan Gatewood Questions Human Empathy Through the Animal Figure

ART/ICLES
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Oda Jaune’s Daydreams Mingle With Reality

SEX/ART
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Rendering the Invisible Visible: Five by Five at the Incubator

On View
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“I Want to Make the Art World Bigger”: Sarah Kravitz on Championing a New Wave of Non-Western Artists

In Conversation
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Monica Sjöö: The Great Cosmic Mother of Anarchist Art

On View
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Art, Propaganda and Resistance: ‘Self-Determination – A Global Perspective’ at Imma, Dublin

On View
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Beneath And Beyond The Leake Street Arches

ART/ICLES
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The Metropolis in Fabulous Flux: Nostalgia, Anxiety, and the Phantasmagoria of Change

In Conversation
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