ART/ICLES

At the End of the World with Precious Okoyomon

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Why Maren Hassinger Isn’t Interested in Being Discouraged

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Hot Off the Press: Gallerist Tif Sigfrids Resurrects the Alt-Weekly

Art Living
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What Kaye Donachie Kept for Herself

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Taylor Simmons is Solidifying Black Cultural History

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The Human Sensorium is Jónsi’s True Canvas

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Exploring Themes of Identity and Perception in Mao Yan’s ‘New Paintings’

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Che Lovelace on Carnival, the Caribbean, and Documenting the Vibrancy of Trinidad 

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Claudia Martínez Garay and Arturo Kameya Explore Peruvian History

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What Newton Knows About the Impermanence of the Flesh: El Muerto at Lodos

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Fragmented Faces: The Many Layers of Cindy Sherman

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‘Glass House’: Deconstructing Our Idea of Home with the Synergy of Art Forms

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Karina Sharif: The Elephant in the Room

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Sylvie Fleury’s Hot Tub Time Machine

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Translating Girlhood: Nina Mhach Durban and Athen Kardashian at Soup

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What Is Art? American Artist & the Ugly Side of Reality

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How Jan Gatewood Questions Human Empathy Through the Animal Figure

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Ali Eyal’s Phantom Figuration and the Mirage of Google Maps in Iraq

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Why Xiyao Wang’s Relationship With the Canvas Is Physical, Personal, And Even Transcendental

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How Andreas Eriksson Found The Answer In Freeing His Colours

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Quiladelphia: Americana Coded OnlyFans Stars Occupy the White Cube

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Beneath And Beyond The Leake Street Arches

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Niamh O’Malley and Ciarán Murphy, in Conversation

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How ‘Unnamed Figures’ at the American Folk Art Museum Challenges Dominant Narratives of American History

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