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ART/ICLES
Hot Off the Press: Gallerist Tif Sigfrids Resurrects the Alt-Weekly
Art Living
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What Kaye Donachie Kept for Herself
ART/ICLES
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Taylor Simmons is Solidifying Black Cultural History
ART/ICLES
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The Human Sensorium is Jónsi’s True Canvas
ART/ICLES
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Exploring Themes of Identity and Perception in Mao Yan’s ‘New Paintings’
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Che Lovelace on Carnival, the Caribbean, and Documenting the Vibrancy of Trinidad
ART/ICLES
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Claudia Martínez Garay and Arturo Kameya Explore Peruvian History
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What Newton Knows About the Impermanence of the Flesh: El Muerto at Lodos
ART/ICLES
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Fragmented Faces: The Many Layers of Cindy Sherman
ART/ICLES
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‘Glass House’: Deconstructing Our Idea of Home with the Synergy of Art Forms
ART/ICLES
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Karina Sharif: The Elephant in the Room
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Sylvie Fleury’s Hot Tub Time Machine
ART/ICLES
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Translating Girlhood: Nina Mhach Durban and Athen Kardashian at Soup
ART/ICLES
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What Is Art? American Artist & the Ugly Side of Reality
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How Jan Gatewood Questions Human Empathy Through the Animal Figure
ART/ICLES
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Ali Eyal’s Phantom Figuration and the Mirage of Google Maps in Iraq
ART/ICLES
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Why Xiyao Wang’s Relationship With the Canvas Is Physical, Personal, And Even Transcendental
ART/ICLES
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How Andreas Eriksson Found The Answer In Freeing His Colours
ART/ICLES
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Quiladelphia: Americana Coded OnlyFans Stars Occupy the White Cube
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Beneath And Beyond The Leake Street Arches
ART/ICLES
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Niamh O’Malley and Ciarán Murphy, in Conversation
ART/ICLES
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How ‘Unnamed Figures’ at the American Folk Art Museum Challenges Dominant Narratives of American History
ART/ICLES
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Ed Bereal Was Born to Do This: A Conversation With the Iconic Artist Ahead of Art Basel Miami
ART/ICLES
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Jamel Robinson: Fighting Upstream, from Harlem to Hudson
ART/ICLES
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