Culture

Sahara Longe, Ejatu in Pink and Green, 2021

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John Pfahl, Falling Oranges, 1977

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The Photographers Developing a Fresh Relationship with the American South

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Cindy Sherman, Untitled/Marilyn, 1981

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Jakob Lena Knebl, I Am He As You Are He As You Are Me. And We Are All Together, 2019

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Ehtasham Ul Haq, Better View, 2021

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Punk? Feminist? Surrealist? This 50-Year-Old Book Still Refuses to Be Labelled

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Helen Levitt, New York, 1971

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Inji Seo, Mask, 2019

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Niccolò dell’Arca, Lamentation Over the Dead Christ, c.1463

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Benjamin Everett, Untitled, 2021

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Jesse Mockrin: How Saint Sebastian Tended by Saint Irene Has Fuelled My Latest Works

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Maddie Yuille, Heathen, 2021

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Emitte Hych, Untitled, 1909-2009

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Gavin Goodman, Luhlaza, 2021

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If All The World’s a Stage, Then Ryu Ika Is Determined to Capture Every Act

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Sally J. Han, Guests, 2021

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Luo Yang, GIRLS, 2019

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Gavin Jantjes, Untitled, 1989

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"Untitled" (Placebo), 1991. Candies in silver wrappers, endless supply. Overall dimensions vary with installation. Ideal weight: 1,000 - 1,200 lb. © Felix Gonzalez-Torres. Courtesy of the Felix Gonzalez-Torres Foundation. Installed in Felix Gonzalez-Torres: Specific Objects without Specific Form. MMK Museum für Moderne Kunst, Frankfurt, Germany. 28 Jan. – 14 Mar. 2011. Photo: Axel Schneider, Frankfurt-am-Main

Cynthia Daignault: I Learned from Felix Gonzalez-Torres That Less Can Be More

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François-Xavier Lalanne, Moutons de Laine, c. 1965

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Naudline Pierre, We Are Here, 2019-20

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Hidden Depths: Catching the Togetherness in a Portuguese Fishing Community

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Elephant Essential Acrylic Artist Paint Set, 2021

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