Culture

Tschabalala Self, Thigh High, 2019

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Soheila Sokhanvari, Cowgirl (Googoosh), 2018

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Mary Sibande, I Put A Spell On Me, 2009

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Gareth Cadwallader

Gareth Cadwallader, Bath, 2015–16

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Medium Annette Rodgers participates in a direct radio voice experiment led by medium and tutor Kim Moore-Cullen, in a circle that includes other bereaved parents, Arthur Findlay College, England, 2018. From Séance, by Shannon Taggart

Photographing the People Who Speak to the Dead

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Photo by Oliver Holms

Welcome Home at Elephant West

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Lydia Blakeley, TBD Maltese, 2019

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Andi Gáldi Vinkó, Bump, 2019

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Josh Faught, Off-Nite, 2018

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Mary Reid Kelley and Patrick Kelley Rand Goop 2019

Mary Reid Kelley and Patrick Kelley, Rand/Goop, 2019

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Derrick Ofosu Boateng, The Water Looks Green But Clean, 2019

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What Victorian Processes Can Teach Us About the Future of Plants

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Caroline Coon, Goal, 1989

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Dennis Stock, California Trip, cover

Was the Acid-Laden, Sun-Dappled Summer of Love Really All It Seemed?

Art Living
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Emma Kunz, Untitled

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Photo by Angus Mill, Courtesy of the artist and Kate MacGarry London

Renee So, Woman I, 2017

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Kate Lyddon, Strange Loop

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Noma Bar’s Cover Design for The Testaments Upends Our Vision of the Handmaid

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Rebecca Harper, The Spirit of Alienness, 2019

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John Currin, Fishermen, 2002

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Loredana Longo

Loredana Longo, Carpet 25 – It Always Seems Impossible Until It’s Done, 2019

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Shana Moulton, The Waterfall of Grief, 2019

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600 Cafe, Miles City, Montana 10.2018 © Mark Power / Magnum Photos

Exploring the Schism Between Myth and Reality in America

Art Living
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Polly Borland, Morph 7, 2018

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