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Collecting the World’s Debris with Lonnie Holley

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Es Devlin Traces the Atlas of Her Career

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The Cinematic Sorcery of Marguerite Duras

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Janine Antoni, 2038, 2000 © Janine Antoni_ Courtesy of the artist and Luhring Augustine, New York

What Does ‘Acts of Creation’ Tell Us About the State of Motherhood Then and Today?

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2. Appraisers, 2023

Life After Death with Jacob Todd Broussard

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Wheatfield - A Confrontation: Battery Park Landfill, Downtown Manhattan - With Agnes Denes Standing in the Field, 1982 Photo: John McGrail. Courtesy Agnes Denes and Leslie Tonkonow Artworks + Projects

Planting Seeds of Hope: Agnes Denes’ Wheatfield Rises in Montana

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A Gyrating Pelvis, a Sheet of Metal, and Two Newborn Babies: Hannah Perry’s ‘Manual Labour’ (2024)

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Building Works: Rahima Gambo Exhibits a Lifetime of Thought

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NAOMI RINCÓN GALLARDO Sonnet of Vermin. 2022. Video HD. 19’02’’ Photo_ Gesner Melchor Copyright_ NAOMI RINCÓN GALLARDO

Naomi Rincón Gallardo’s ‘Sonnet of Vermin’ is Punky, Queer and Raucous

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Installation view of Tavares Strachan_ There Is Light Somewhere. Robert, 2018. Photo_ Mark Blower. Courtesy the artist and the Hayward Gallery

Bearing Light and Finding Belonging in Tavares Strachan’s Riot of References

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Photographers You Can’t Miss at Les Rencontres D’Arles, 2024 

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Sonia Boyce on the Political Sounds and Symbols of “Bella Ciao” 

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How ‘South West Bank’ Tends the Legacy of Palestinian Life and Culture

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Inside Yael Bartana’s Dream of a Post-Planetary, Boundless Utopia

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Ai Weiwei and the Art of Nuance

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Nairy Baghramian is Slouching Towards Abstraction

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Our Tears are Complicit: Cara Benedetto on White Women’s Victimhood

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‘In the Now’ at the Brooklyn Museum Explores How Race, Ethnicity and Religion Shape Perceptions of Gender

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Andrés Anza, I only know what I have seen, 2023, Image courtesy of Simon d’Exéa

What We Can Do With Our Hands:  Loewe’s Foundation Craft Prize

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On Being an Angel: Francesca Woodman and Julia Margaret Cameron at the National Portrait Gallery

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Emanuel De Carvalho constancy lack, 2024 Oil, pigment, marble dust and pumice on linen 200 x 75 cm

Something Feels Slightly off in Emanuel de Carvalho’s Monumental Paintings

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Orlando Estrada’s Mindscapes

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1. Shu Lea Cheang - Fresh Kill

Sex Out of This World: Science Fiction, Fantasy and the Erotic at Project Native Informant

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Tracing History’s Footsteps: Tammy Nguyen’s A Comedy for Mortals: Purgatorio at Lehmann Maupin, Cromwell Place

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