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Hilary Harkness’s Intricate Paintings Confront America’s Troubled History

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Anna Uddenberg’s ‘Home Wreckers’ Explores Desire and Affect in Our Technology-Bound Consumer Culture

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Constellation du Louvre by Jean-Marie Appriou Constructs an Anamilistic Myth of the Louvre at Paris+

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The Very Best of London’s Frieze Week: Outside of the Tent

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Kenny Rivero’s Debut UK Solo Show Channels the Atmospheric Feel of a NYC Summer

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The Marina Abramović Takeover is a Full Circle Moment for Marina

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Emmanuel Massillon Masters Conspiracy

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What to See in NYC: September Gallery Guide

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Jonah Pontzer: Rock Bottom Princess

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How MHYSA’s Third Album Channels E. Jane’s Archive of Black Divas

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Daniel Lind-Ramos’s Moving Sculptures Are Vehicles for Puerto Rico’s History

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Behind the Pleasure Principle: Sadie Coles ‘Hardcore’

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This Imaginative New Exhibition by Sophie von Hellermann Captures the Spirit of Genius

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‘Saints and Sinners’ at GUTS Gallery Refuses to Let Us Look Away

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‘$Ell Your $Elf’: A Ride With Pippa Garner Through Her Iconoclastic Career

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Gavin Benjamin Offers a Reimagining of Black Subject-Hood and Proprietorship in Southwestern Pennsylvania

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Lauren Halsey’s Met Roof Garden Commission Explores the Power of Architectural Symbolism

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The Power of Exchange

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Feminist Icons: The Women Artists at the Cutting Edge in the 1970s

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Every Breath You Take… Art and Air Combine in a Lungful of New Shows

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Rose English, Rose on Horseback with Tail, 1974. Copyright The Artist. Courtesy of Richard Saltoun Gallery.

The Subversive Seven: The Feminist Artists Challenging How We Look at Sex

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Antonio Lopez 1970: Sex, Fashion and Disco

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David Salle on Old Guys Painting

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