Benjamin Verheijden

Exploring Themes of Identity and Perception in Mao Yan’s ‘New Paintings’

ART/ICLES

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Past and Present Are Bound in Kat Anderson’s ‘Mark of Cane’

On View

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Wolf Alice’s ‘Blue Weekend’

Culture At Home

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Are They Play Fighting? Gundula Schulze Eldowy and Robert Frank at Akademie der Künste

On View

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Terry Allen Just Wants to Get Back Into His Studio

Polymath

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Monstrous Beauty and Beautiful Monsters: Love Love Love at Soft Opening

On View

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Che Lovelace on Carnival, the Caribbean, and Documenting the Vibrancy of Trinidad 

ART/ICLES

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Claudia Martínez Garay and Arturo Kameya Explore Peruvian History

ART/ICLES

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Danielle Brathwaite-Shirley Attacks Without Warning 

The Index

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What Newton Knows About the Impermanence of the Flesh: El Muerto at Lodos

ART/ICLES

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How to Stage an Exhibition – A Conversation With Thea Djordjadze

Art Living

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Textiles As Sites of Subversive Narrations: ‘Unravel: The Power and Politics of Textiles in Art’ at the Barbican

On View

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Reina Sugihara Chases Misunderstandings in ‘Island does not know the sea’

On View

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Six L.A. Organizations Fostering Change Through Art at Frieze L.A.

Art Living

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There’s Something Brewing in Los Angeles: The Elephant Frieze Roundup 2024 

Best Of

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‘Glass House’: Deconstructing Our Idea of Home with the Synergy of Art Forms

ART/ICLES

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Essence Harden is Everything and Everywhere, All at Once

In Conversation

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Good in Any Hood: Andrew Pierre Hart Opens at Whitechapel Gallery

In Conversation

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Paulo Nimer Pjota on Evoking Myth and Mysticism

In Conversation

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The Elephant in the Room

ART/ICLES

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Sylvie Fleury’s Hot Tub Time Machine

ART/ICLES

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This is not a game: On Aria Dean’s Abattoir

On View

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Making our Mark: The Time of Our Lives at the Drawing Room

On View

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Sirens, Shame, and Cycladic Dreaming: Sofia Mitsola Draws From Ancient Greek Mythology and Playboy Magazine

The Index

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