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Emily Steer

Emily Steer writes about the intersection of art and food, as well as sex, psychology, the natural world and the future of drawing. Previously, she worked as online curator at Art Wednesday, a cultural magazine and creative marketplace for artists and independent designers. As a freelance writer, she has contributed to titles including Munchies, i-D, AnOther, Time Out and the Telegraph, with a special focus on the politics of food.

Nevine Mahmoud, Bottom Tear, 2019

Culture
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Dafydd Jones, Butlins Uniform, Butlins, Minehead, 1979

Culture
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Esmay Wagemans, Silicon Sculpture

Culture
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Huguette Caland, Exit, 1970

Culture
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Liang Fu, A White-Banded Cleaner Shrimp Hopped into the Mouth of a Grouper, 2019

Culture
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Keith Tyson, Amnesia, 2018

Culture
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Alex Prager, Ellen, 2007

Culture
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How Can Artists Help Us Tackle Gentrification?

The Index
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Courtesy TJ Boulting © the artists

Bénédicte Kurzen & Sanne De Wilde, Land of Ibeji

Culture
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Lola Flash, Dominique, Brooklyn, 2011

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Fernando Bayona, La Ultima Cena. Courtesy the artist and Almanaque

How Does Art History Impact Our Reading of the Male Body?

The Index
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Kate Cooper, Infection Drivers, 2018

Culture
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Richard-Mosse-I-Shall-Be-Released-2015-Courtesy-of-the-artist-and-carlier-gebauer

Richard Mosse, I Shall Be Released, 2015

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Elizabeth Peyton, Greta Thunberg, 2019

Culture
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French Pavilion at the 58th Venice Biennale

Culture
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Death Is in the Air at the Venice Biennale

The Index
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Ian Davis Broadcast, 2014. Courtesy of artist

Ian Davis: Nature Will Win in the End

The Index
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Tony Gum, Milk The Bok, 2017

Culture
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Los Angeles County Museum of Art (LACMA) © The Pollock Krasner Foundation, 2018. Digital Image Museum Associates LACMA Art Resource

Lee Krasner, Desert Moon, 1955

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Judy Chicago, Immolation from the Women & Smoke Series, 1971-72

Culture
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Nick Lobo, Wellness Center

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Andy Warhol + Times of London, 1966

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Nevine Mahmoud: Juicy Fruit and Hard Stone

The Index
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Madeleine Bialke, The Faithful, 2018

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