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Hettie Judah

Let’s Rock! Why Has Art Taken a Geological Turn?

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We Are Family: How Not to Exclude Artist Mothers (And Other Parents)

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Melanie Bonajo: “The Oil Pool Where People Are Blindfolded Is a Ritual Space…”

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Simone Leigh, Façade, 2022. © Simone Leigh. Photo: Timothy Schenck. Courtesy the artist and Matthew Marks Gallery

Access All Areas: Elephant’s Guide to the 59th Venice Biennale

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The BALTIC Interviews: “I Started to Call it the ‘Internet of Stink’”

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Why Is It So Hard to Talk About Fertility?

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Do Female Artists Have to Choose Between Motherhood and a Career?

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Jo Spence’s “Brave” Self-Portraits Taught Me the Brutal Taboos of Womanhood

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