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04

Teresita Fernández Is Not Interested in Illustrating Her Identity

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#4 Portrait of Myriam Prévot, Museum of Fine Arts, Houston, 1969. Photographer_ Hans Hartung.

Unsung Heroes: The Women of the New School of Paris

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Frieze x Deutsche Bank Emerging Curators Fellowship to Partner with Ikon Gallery for Fifth Iteration

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Who is Kiki Xuebing Wang? The London-based painter exploring memory and perception

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John Waters for reproduction

What Peter Hujar’s ‘Portraits in Life and Death’ Taught Us About Grief

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They Can Leave if They Want: Ann Liv Young’s “Marie Antoinette”

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The Bronx Documentary Center Walks the Walk of Community Engagement

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Jeffrey Gibson: Ancestral Superbloom

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Howl at the Moon: Edith Karlson Is Liberating Our Primal Urges

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agenda, AGENDA, AGENDA!!!!!!

Angela Anh Nguyen Tufts Maps of Our Unconscious

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The Nigerian Renaissance in Venice

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How Ebony L. Haynes Curated Raymond Saunders’ Evolution Through “Post No Bills”

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Elephant’s Top 10 Archive Titles from Denim Tears Much Lauded African Diaspora Goods

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Anna Park, Just Imagine!, 2024, charcoal, ink, paint, foam, paper mounted on panel, 177.8 x 228.6 x 10.8 cm © Anna Park, Courtesy of the artist

Anna Park: Miss (Imagined) America

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Melissa Cody Weaves Interdimensional Planes

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Artist Eva Gold on Destabilising Truth

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Marie Watt on the Art of Storytelling and Collaboration

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Terence Nance is Deindustrialising Cinema

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How the Light Gets In

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Nari Ward’s New Monumental Retrospective Urges Us to Scratch Beneath the Surface

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Claire Barrow’s Scare-Ride Down the Tombstone Freeway

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Clifford Prince King’s Photographs Will Catch You In Brooklyn

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Chiho Aoshima’s Ceramic Daydreams in Aquatic Blue

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Discovering the Artistic Wonderland of Peju Alatise

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