Interviews

Manuel Mathieu is Bringing the Sights and Scents of Haiti to Paris

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Trinity Mouzon Believes in the Possibility of Loveliness in the Everyday

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Shadow Integration with Kelsey Lu

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“I Want to Beat My Previous Show”: Suleman Aqeel Khilji on Painting What He Sees

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Bolanle Tajudeen Trusts Her Eye

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How to Paint a Legend: Tomokazu Matsuyama on His Portrait of Ms. Lauryn Hill

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Laure Prouvost Translates the Invisible

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“It’s Systemic Collapse as Poetry”: Oda Iselin Sønderland on The Matrician

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Alex Shnaiderman Paints From the Subconscious

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Nick Kivlen Is Done Playing by the Rules

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Lisette May Monroe’s Hard Lines

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Jesús Hilario-Reyes on Freakability, Techno, and Collective Embodiment

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Elsa Rouy’s Painted Figures Are Growing Up With Her

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Stephen Thomas Gallagher Steps Forward With a Vision Entirely His Own

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Inside ob’s Phantom Tales at Perrotin, from Digital Worlds to Inner Landscapes

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From L’Atelier to Dior with Patrick Eugène

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Edward George Has Composed a Peculiar Kind of Atlas

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“I’m Committing Career Suicide in the Middle of an Art Fair”: Sophia Al Maria on Her Frieze Commission

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Alison Saar Basks In The Light Of Legacy

In Conversation
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“I Give Myself and My Painting Permission to Be”: In Conversation With Lindsay Adams

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What Grows in Harley Weir’s Garden

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A.A.Murakami’s Living, Breathing Machines

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Christelle Oyiri Is Remixing the Archive

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How to Sculpt the Fog: A Conversation with Haegue Yang

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