OUT NOW ISSUE #48

Are We There Yet

Are We There Yet is a fortnightly column by Louise Benson exploring politics, access and the art world.

Life

We Each Sell a Version of Ourselves Online, But at What Cost?

Life

Labour of Love: Does It Ever Make Sense to Work for Free?

Life

Why Artists and Institutions Need Negative Reviews

Life

I’m Tired of Being Told to Get a “Real Job”

Life

Without Role Models, I Never Would Have Seen Myself in a Creative Job

Life

Why You Shouldn’t Allow Your Creativity to Define You

Life

The Cultural Sector Is Rigged, But Can the Cycle Be Broken?

Life

What Is the Future for an Art World Torn Apart By Commerce Over Community?

Life

Who Is Really to Blame for a Faltering Career in the Creative Industry?

Life

The Creative Industry Is Resistant to Change, But This Is Just the Beginning

Life

In Unequal Times, Is Our Snobbery Towards Selling Out Misplaced?

Life

My Mixed Race Identity Has Shown Me a World Full of Contradictions

Life

Competitions Breed Insecurity. We Don’t Need Them During a Crisis

Life

What Do You Lose When Creativity Becomes a Commodity?

Life

Nepotism Glues the Arts Together, While the Rest of Us Come Unstuck

Life

The Art World Celebrates “Good Taste”, But I Don’t Always Fit In

Life

Age Is More Than Just a Number, and I Am Scared of Losing Out

Life

The Ability to Make Your Voice Heard Is a Privilege That Many Cannot Afford

Life

Success in the Creative Arts Doesn’t Come Cheap, and Most of Us Can’t Afford It

Life

The Creative Industry Forces Us to Gamble With Our Time

Life

Creative Jobs Sell Us a Lifestyle, But All I Want Is to Make a Living

Pop Culture

Sex, Trifle and Sound: Meet the Women Rewriting the Audiovisual Rulebook