Are We There Yet

Are We There Yet is a fortnightly column by Louise Benson exploring politics, access and the art world.

Art Living

We Each Sell a Version of Ourselves Online, But at What Cost?

Art Living

Labour of Love: Does It Ever Make Sense to Work for Free?

Art Living

Why Artists and Institutions Need Negative Reviews

Art Living

I’m Tired of Being Told to Get a “Real Job”

Art Living

Without Role Models, I Never Would Have Seen Myself in a Creative Job

Art Living

Why You Shouldn’t Allow Your Creativity to Define You

Art Living

The Cultural Sector Is Rigged, But Can the Cycle Be Broken?

Art Living

What Is the Future for an Art World Torn Apart By Commerce Over Community?

Art Living

Who Is Really to Blame for a Faltering Career in the Creative Industry?

Art Living

The Creative Industry Is Resistant to Change, But This Is Just the Beginning

Art Living

In Unequal Times, Is Our Snobbery Towards Selling Out Misplaced?

Art Living

My Mixed Race Identity Has Shown Me a World Full of Contradictions

Art Living

Competitions Breed Insecurity. We Don’t Need Them During a Crisis

Art Living

What Do You Lose When Creativity Becomes a Commodity?

Art Living

Nepotism Glues the Arts Together, While the Rest of Us Come Unstuck

Art Living

The Art World Celebrates “Good Taste”, But I Don’t Always Fit In

Art Living

Age Is More Than Just a Number, and I Am Scared of Losing Out

Art Living

The Ability to Make Your Voice Heard Is a Privilege That Many Cannot Afford

Art Living

Success in the Creative Arts Doesn’t Come Cheap, and Most of Us Can’t Afford It

Art Living

The Creative Industry Forces Us to Gamble With Our Time

Art Living

Creative Jobs Sell Us a Lifestyle, But All I Want Is to Make a Living

Culture

Sex, Trifle and Sound: Meet the Women Rewriting the Audiovisual Rulebook