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Emily Steer

Emily Steer writes about the intersection of art and food, as well as sex, psychology, the natural world and the future of drawing. Previously, she worked as online curator at Art Wednesday, a cultural magazine and creative marketplace for artists and independent designers. As a freelance writer, she has contributed to titles including Munchies, i-D, AnOther, Time Out and the Telegraph, with a special focus on the politics of food.

Louise McCurdy, Beach Wasteland

Culture
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Zoe Beloff, Emoji from Alphabet of the Passions, 2017

Culture
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See Red Women’s Workshop, So Long As Women Are Not Free the People Are Not Free, 1978

Culture
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William Monk, A Fool Through the Cloud, 2018-19

Culture
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Benjamin Nugent’s Paintings Channel the Raw Energy of City Life

The Index
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Georgie Hopton, Witches Butter, 2016

Culture
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Gauri Gill, Untitled (10) from the series Acts of Appearance, 2015–Ongoing

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Etel Adnan, Power of the Sun, 2017

Culture
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Ding Jiasheng, Characters from the Revolutionary Operas, 1974

Culture
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Mehdi-Georges Lahlou, Head, 2013

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Jess de Wahls, Vaginal Embroidery

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Tom Wesselmann, Sunset Nude with Matisse Odalisque 2003

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Katherine Bernhardt, Garfield + Scotch Tape + Matcha + Coca Cola + Doritos + Nike, 2018

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SJ Fuerst, Great Date Ken, 2012

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Adrián Villar Rojas, From the series The Theater of Disappearance (VIII), 2015-2018

Culture
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Mary Quant by Vic Singh, c1961

Culture
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Rae-Yen Song, I Love You Barrbara, 2017

Culture
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Kader Attia, Measure and Control, 2013

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Esther Teichmann and Monster Chetwynd, Phantasie Fotostudio II, 2018

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Dea Trier Mørch, Skuldrene fødes (fra serien Vinterbørn), 1976

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Erwin Wurm, Bar, 2019

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Gerhard Richter, I.G. (790-3), 1993

Culture
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Kiluanji Kia Henda, Follow in the Days of a Dark Safari #8, 2017

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Soshiro Matsubara, Engagement, Tolerance and Hospitality, 2018

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