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Emily Steer

Emily Steer writes about the intersection of art and food, as well as sex, psychology, the natural world and the future of drawing. Previously, she worked as online curator at Art Wednesday, a cultural magazine and creative marketplace for artists and independent designers. As a freelance writer, she has contributed to titles including Munchies, i-D, AnOther, Time Out and the Telegraph, with a special focus on the politics of food.

Are Blytt, Untitled (Figure), 2018

Culture
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Katja Seib, Eve’s Curse, 2018

Culture
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Genesis Belanger, Liquid Dreams, Ghebaly Gallery, Los Angeles

Culture
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Carlos Pazos, Milonga, 1980

Culture
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bill viola inverted birth artist video

Bill Viola: The Search for the Spiritual

The Index
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Yoshimoto Nara, Sakhalin, 2014

Culture
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Trenton Doyle Hancock
, TorpedoBoy Steps and Screws Wearing Some Cutty Black Shoes, 2018

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Julia Bornefeld, Ohne Titel, 2005

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Kati Heck, Trinklied vom Jammer der Erde, 2017

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Laure Prouvost, The Wanderer, 2012

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Margaret Bourke-White, Life, November 23, 1936

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Myoung Ho Lee, Tree… #5

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Sandra Wang and Crockett Bodelson, Small Wonders, 2018

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The Muppet Christmas Carol, 1992

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Monster Chetwynd, Winter Commission 2018

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Pamela Phatsimo Sunstrum, Diorama, 2018

Culture
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Alex Katz, Coca-Cola Girl 30, 2018

Culture
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Hardeep Pandhal, Self-Loathing Flashmob, 2018

Culture
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Toolbox: Sally Mackereth

The Index
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John Leech, Scrooge’s Third Visitor

Culture
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Neo Rauch’s Creature Discomforts

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Bill Brandt, London, 1959

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Life Hangs Urgently in the Balance in Ramona Zoladek’s Sculptures

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Stuart Lorimer, The Jesus of Cool, 2018

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