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Emily Steer

Emily Steer writes about the intersection of art and food, as well as sex, psychology, the natural world and the future of drawing. Previously, she worked as online curator at Art Wednesday, a cultural magazine and creative marketplace for artists and independent designers. As a freelance writer, she has contributed to titles including Munchies, i-D, AnOther, Time Out and the Telegraph, with a special focus on the politics of food.

Paola Agosti, Roma, 8 Marzo 1977

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Maria Pasenau, from Inti Right Before Bed, 2018

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Gabrielle Motola, Henge to Henge

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John Loker’s Life-Long Love of Tortoises

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Lola Keyezua, Floating Nightmares

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Francisco Rodríguez, The Burning Plain

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Amanda Rowan, Immaculate Conception, 2018

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Ramona Zoladek Is the Winner of the Elephant x Griffin Art Prize!

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Quarantine, Astrid goldsmith

Astrid Goldsmith, Quarantine, 2018

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Sian Davey, Universal Motherhood

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Xiao-Yang Li, Offerings to Pythia of the East (XII), 2017

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Vivian Maier, Unknown

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West Is Best! Inside Notting Hill’s “Family” Gallery

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Armen Eloyan, Natur und Kultur 9, 2018

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Christoph Hänsli, Verloren (Berlin, April 2013), 2013

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Elephant’s Advent Calendar 2018

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Proudick at Hannah Barry

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Hiroshi Sugimoto, Alaskan Wolves, 1994

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living with extra celina teague painting chewinggum

New Establishment: Celina Teague

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Rachel Whiteread, Tate Britain, September 2017

Rachel Whiteread, Chicken Shed, 2017

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John Currin, Thanksgiving, 2003

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Eric Yahnker, Factory Reset

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Ilse D’Hollander, Untitled, 1996

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P Bucalossi, Tabby Polka, 1865

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