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Emily Steer

Emily Steer writes about the intersection of art and food, as well as sex, psychology, the natural world and the future of drawing. Previously, she worked as online curator at Art Wednesday, a cultural magazine and creative marketplace for artists and independent designers. As a freelance writer, she has contributed to titles including Munchies, i-D, AnOther, Time Out and the Telegraph, with a special focus on the politics of food.

Kathryn Andrews, 8 Ball, 2018

Culture
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Trevor Paglen, Maximally Stable Extremal Regions; Good Features to Track, 2017

Culture
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Yasumasa Morimura, Une Moderne Olympia, 2018

Culture
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Sheida Soleimani, 2022, 2018

Culture
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Saeborg, Pigpen, 2016

Culture
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James Rosenquist, White Bread, 1964

Culture
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Alice Irwin, from the series Go to Bed, 2018

Culture
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Daisy Dodd Noble, Sunset Climb

Culture
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Pepe López, Crisálida, 2017

Culture
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Sebastian Barros, Sawmills

Culture
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Detail. Courtesy the artist and Marian Goodman Gallery, New York, Paris and London

John Baldessari, Brain/Cloud (Two Views): with Palm Tree and Seascape, 2009

Culture
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Fabienne Verdier: Spontaneous, Super-Conscious

The Index
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Michał Budny, Nous, Acte II, 2018

Culture
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Julie Curtiss, Smoking Turkey, 2016

Culture
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Kawita Vatanajyankur, Dye Final, Performing Textiles, 2018

Culture
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Hans Op de Beeck, Cabinet of Curiosities at Galerie Ron Mandos. Pictured left: Tatiana (Soap Bubble), 2018. Pictured right: Wunderkammer 8

Hans Op de Beeck’s Ash-Coated Cabinets

The Index
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Beverly Semmes, Feminist Responsibility Project, 2018

Culture
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Polly Nor, Immaculate Conception, 2018

Culture
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Anna Liber Lewis, Head, 2017

Announcing the Elephant x Griffin Art Prize Shortlist

The Index
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Sian Bonnell, Beach Clean, 1999

Culture
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© Join the Cool collective

Join the Cool, from Vinietka (Ukrainian Graduation Album)

Culture
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Toolbox: Martin Bergquist

The Index
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Charlotte Garnett, Fiddle Sticks

Culture
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Cock Bait (IV), 2017

Kasia Fudakowski: Sex and Mistranslations

The Index
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