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Emily Steer

Emily Steer writes about the intersection of art and food, as well as sex, psychology, the natural world and the future of drawing. Previously, she worked as online curator at Art Wednesday, a cultural magazine and creative marketplace for artists and independent designers. As a freelance writer, she has contributed to titles including Munchies, i-D, AnOther, Time Out and the Telegraph, with a special focus on the politics of food.

The British Museum, Minoan Cup

Culture
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Haroon Mirza, Dreamachine 2.0

Culture
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Dov Or Ner

Culture
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Sara Anstis, Glass Knife, 2019

Culture
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Elephant, Issue 1, 2009

Culture
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Charlotte Edey, The Spirit Almanac, 2019

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Alisdair, Alan Buddha

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Billie Zangewa, Christmas at the Ritz, 2006

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Maisie Cousins, 2018

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Wiener Werkstätte, Krampus mit Kind, 1911

Culture
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Dorothy Iannone, This Card Brings What Every One Wants

Culture
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Pantone Colour of the Year 2020: Classic Blue

Culture
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Ann Toebbe, Friends: Lisa and Tim, 2018

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Ho Tzu Nyen, 2 or 3 Tigers, 2015. Synchronized double channel HD (CGI) projection, 10 channel sound 18 min 46 sec. Courtesy the artist and Edouard Malingue Gallery

How Do We Fix Our Broken Relationship with the Natural World?

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kubrick-clockwork-orange

A Clockwork Orange, Alex DeLarge (Malcolm McDowell) in the Korova Milkbar, 1970–71

Culture
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Christoph Markwalder, Brion Gysin and William Burroughs with the Dreamachine, 1979

Culture
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Robert Arneson, Toilet: Life Size, 1964

Culture
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Ashish x House of Voltaire, Gaze, 2019

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Lampstands with geometric decoration, designed and made by the Omega Workshops, 1913-1919

Culture
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Why Heavy Metal and the Visual Arts Go Hand in Hand

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Wolfgang Tillmans, Remain Posters, 2016

Culture
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Cristina BanBan, Buenaventura, 2019

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Musician Nick Rhodes with artist David Hockney Malibu, California 1989

The Female Photographer Who Peeled Back the Surface of Eighties New York

Art Living
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Donna Huddleston, The Exhausted Student, 2019

Donna Huddleston, The Exhausted Student, 2019

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