Louise Benson

Lorena Lohr’s Intimate Portraits of Memphis Reveal a Country in Transition

Culture

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Bodies Tumble and Fall in France-Lise McGurn’s Impulsive Drawings

The Index

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David Shrigley, We Must Act, 2018

Culture

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The Snapchat Ghost Perfectly Encapsulates the Last Decade

Culture

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Lydia Blakeley Paints the Weird Corners of the Internet

The Index

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Pierre Vivant, Traffic Light Tree, 1998

Culture

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Alina Szapocznikow, Iluminowana (Illuminated Woman), 1966-1967

Culture

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Laura Henno, Annie at Church, Slab City (USA), 2018

Culture

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Xiuching Tsay, Drunken Gravity, 2019

Culture

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Lorena Lohr, Tonight Lounge, 2019

Culture

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Koo Jeong A, Density, 2019

Culture

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Joan Cornellà, Nobody Loves You, 2019

Culture

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Lydia Blakeley, When Species Meet, 2019

Culture

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Studio Pandan On Why They Are Done With the “Girly Design” Label

Art Living

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The Secret Lives of Stock Photo Models

Culture

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The Weird and Wonderful World of Public Art at Traffic Roundabouts

Culture

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The Dreamlike Allure of Takeshi Makishima’s Underwater Paintings

The Index

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Loie Hollowell, One Opening Leads To Another, 2019

Culture

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Dora Maar, Untitled (Hand-Shell), 1934

Culture

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The Artist Recasting the Witch as a Feminist Symbol of Resistance

The Index

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Ten Years, Five Designers: Exploring Elephant’s Ever-Evolving Graphic Identity

The Index

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Victoria Sin, If I Had the Words To Tell You We Wouldn’t Be Here Now, 2019

Culture

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Fresh Portrayals and Family Scenes in the Paintings of Joy Labinjo

The Index

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This Off-the-Radar Rainbow Chapel By Sol Lewitt Explodes Convention

Art Living

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