Culture

Tomi Ungerer: Fornicon 1966-1969 Collection Musée Tomi Ungerer – Centre international de l’Illustration, Strasbourg © Diogenes Verlag AG Zurich \ Tomi Ungerer Photo : Musées de la Ville de Strasbourg / M. Bernhart

Tomi Ungerer’s Adult Books Rereleased, and Laurie Anderson Gets Virtual

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Mehdi-Georges Lahlou, Head, 2013

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Is Childbirth too Big for the Big Screen?

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Tom Lovelace, Twist and Push, 2018

Tom Lovelace, Twist and Push, 2018

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Elinor Carucci: Motherhood Revealed the Best and Worst in Me

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Jess de Wahls, Vaginal Embroidery

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Tom Wesselmann, Sunset Nude with Matisse Odalisque 2003

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Katherine Bernhardt, Garfield + Scotch Tape + Matcha + Coca Cola + Doritos + Nike, 2018

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The Instinctive Designs of Oslo’s Fearless Record Label

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SJ Fuerst, Great Date Ken, 2012

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Adrián Villar Rojas, From the series The Theater of Disappearance (VIII), 2015-2018

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The Oscars Doesn’t Understand Cinema, and Jenny Holzer Upsets Sheep

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Mary Quant by Vic Singh, c1961

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Rae-Yen Song, I Love You Barrbara, 2017

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Kader Attia, Measure and Control, 2013

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Esther Teichmann and Monster Chetwynd, Phantasie Fotostudio II, 2018

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Iringó Demeter Celebrates Motherhood and the Art of Self-Acceptance

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Dea Trier Mørch, Skuldrene fødes (fra serien Vinterbørn), 1976

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A Quiet, Beautiful Cinematic Wrestle with the Problem of London

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Yayoi Kusama, Infinity Mirror Room - Phalli's Field (Floor Show), 1965, remade 1998. Mixed-media installation, 311 × 476 × 476.5 cm. Courtesy Museum Boijmans Van Beuningen, Rotterdam purchased with support of Stichting Fonds Willem van Rede, Mondriaan Fonds en BankGiro Loterij © Yayoi Kusama

Getting to Grips with the Real Value of Art

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Erwin Wurm, Bar, 2019

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Hold Me Closer: Is Theatre the Perfect Match for VR?

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Gerhard Richter, I.G. (790-3), 1993

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Still from the Andy Warhol Burger King ad

Andy Warhol’s Burger King Cameo, and MoMA Wants to Be “More Inclusive”

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