Opinion

Life

Girls Just Wanna Have Fun: Raising a Glass to the Queens of Excess

Life

Access Denied: Will Art Ever Learn to Embrace Disability?

Pop Culture

Cleaning Up Their Act: Are Beauty Products Sanitising Radical Art?

Pop Culture

A Picture of a Thousand Words: How Screenshots Changed Visual Culture

Life

Why Museums Must Decolonise and Diversify For Their Own Survival

Life

Is Eco Art Lazily Barking Up the Wrong Trees?

Life

Does George Osborne at the British Museum Signal a Dangerous Blow to the Arts?

Life

Why Artists Must Stop Treating Abortion as a Taboo Subject

Life

Art and the Law: What Images from the Criminal Justice System Can Teach Us

Life

The Dubious New Double Standards of ‘Valid’ Criticism

Pop Culture

NFTs Are Not the Art Revolution You’ve Been Waiting For

Pop Culture

Is Instagram Twisting Art into Its Own Image?

Photography

Is Colourising Archive Images Ever OK?

Life

Life as a Working-Class Arts Student: “I Found Myself at a Cultural Disadvantage”

Pop Culture

How NFTs Are Transforming What It Means to Buy and Sell Art

Photography

The Sad Irony of Juergen Teller’s “Lazy” W Magazine Shoot

Books

A Sinister New Instagram “Aesthetic” Conflates Violence With Titillation

Art

The Mary Wollstonecraft Statue Is a Betrayal of Feminism

Pop Culture

Zara’s Female Gaze Collection Is Cynical Capitalism at Its Worst

Life

The Stark Inequality of the Culture Industry Needs to Change

Life

The Shadow Workers: Are Artists Doing Enough for their Assistants?

Life

Why the Crisis Tearing Through Our Museums Affects Everyone

Art

The Colourful Return of Postmodernism Celebrates Difference and Diversity

Life

A Male Artist’s Invitation to Destroy Women’s Faces Is Unapologetic Misogyny