Opinion

Opinion

Hold Me Closer: Is Theatre the Perfect Match for VR?

Opinion

Why the Art of Video Games Deserves Wider Recognition

Opinion

Porn in Plain Sight? The Subversive Tactics of Inappropriate Ceramics

Opinion

Exploring Art’s Modern Couples with a “Relationship Expert”

Opinion

Selfie-Reflection: Are Curators Just Preening Our Collective Inner Narcissus?

Opinion

Pantone’s Living Coral: What’s in a Colour?

Opinion

What Is the Point of the Turner Prize?

Opinion

V&A Dundee: New Horizons on the Waterfront

Opinion

Home Comforts: How Do You Hang Yours?

Opinion

Edinburgh: the Bubbliest of Cultural Bubbles

Opinion

Can Women-Only Exhibitions Shift the Gender Pay Gap?

Opinion

The Enduring Legacy of Hitchcock’s Vertigo

Opinion

Antony Gormley’s Public Art: Angels and Demons

Opinion

African Passions: Beyond Geography, History and Bodies

Opinion

Sharing and Survival at the Venice Architecture Biennale

Opinion

Designing Belief for the Twenty-First Century

Opinion

Ellen von Unwerth: Ladyland in a Man’s World

Opinion

Three Passages on Love and Art

Opinion

Civilisation vs Civilisations: Who Wore it Better?

Opinion

Art Basel Hong Kong: Virtual Reality and the Art World

Opinion

What Is Your University Degree Really Worth?

Opinion

Plastic Art in a Post-Plastic Age

Opinion

Beyond the Frame: Violence and Photography

Opinion

The Classical Now: Homage and Parody