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Anoushka Khandwala

Anoushka Khandwala is an editorial assistant at Elephant. Her writing deconstructs how race, culture and identity manifest in the creative world, focusing on how we can diversify and decolonise the design industry. She’s written for Creative Review, Eye on Design and Lecture in Progress and has spoken at University of the Arts Berlin, Airbnb HQ with Grand Matter and Dezeen’s Virtual Design Festival. She also works as a graphic designer and educator, and currently teaches at Central Saint Martins and Camberwell College of Arts.

Bosco Sodi’s Paintings Are Reminiscent of Extraterrestrial Topography

The Index
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The Multifaceted Identities of Frida Kahlo

Art Living
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The Print Sale Raising Essential Funds in the Wake of the Beirut Explosion

The Index
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Rebel, Artist, Pioneer: The Life of Amrita Sher-Gil

Art Living
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The Digital Zine Exploring the Ins and Outs of Consent

Culture
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The Expressive Painters Making Sense of a Chaotic World

The Index
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These Are the Essential Art Books You Need to Know Right Now

Culture
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The Nostalgic Intrigue of Rayvenn D’Clark’s Uncanny 3D-Printed Sculptures

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The Lesbian Herstory Archives Chronicle the Fluidity of Queer Culture

Culture
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The Colourful Return of Postmodernism Celebrates Difference and Diversity

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Image reads I do/do not in lime green with orange scribbles circling either do or do not

Does the Art World Have an Issue with Consent?

The Index
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Black women dancing in a Wolverhampton youth club, 1978.

This Image Shoves the Ultimate Two Fingers Up at the Establishment

Culture
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Ali Mobasser, Afsaneh Box 3

Stories of the Iranian Diaspora Are Chronicled in These Poignant Family Images

Culture
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Riz Ahmed, courtesy Hassan Hajjaj

Riz Ahmed’s Dire Warning About Unchecked Racism in the UK

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How the South Asian Modernists Represented Postcolonial Freedom

Art Living
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The Photo Studio That Captured a Cosmopolitan City Frozen In Time

Culture
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What Does the Mobilisation of Black Lives Matter Mean for Art Schools?

Art Living
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Homecoming, Beyonce, 2019, courtesy of Netflix

Is Beyoncé‘s Sumptuous Homecoming a Template for Pandemic-Proof Culture?

Culture
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Where are the Black Designers_SYMONE_BARDEN

Where Are the Black Designers? Five Lessons to Learn

Art Living
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ArcelorMittal Orbit and The Slide, courtesy of Queen Elizabeth Olympic Park

Anish Kapoor’s High Art Helter Skelter Is a Symbol of London’s Displacement

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Calm Amidst a Storm: The Defiant Impact of an Iconic Protest Image

Culture
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