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Emily Steer

Emily Steer writes about the intersection of art and food, as well as sex, psychology, the natural world and the future of drawing. Previously, she worked as online curator at Art Wednesday, a cultural magazine and creative marketplace for artists and independent designers. As a freelance writer, she has contributed to titles including Munchies, i-D, AnOther, Time Out and the Telegraph, with a special focus on the politics of food.
© Hector Hyppolite, Courtesy Gallery of Everything

Hector Hyppolite, Untitled, c 1940

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Charles White, Love Letter III, 1977

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Maurizio Cattelan and Pierpaolo Ferrari, ​Vivi Tiranno

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Lina Iris Viktor, Sixth, 2018

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Jesse Darling, Lion in Wait for Jerome and His Medical Kit, 2018

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Ren Hang, Untitled, 2015. Courtesy of the Klein Sun Gallery

Five Must-See Shows at America’s Biggest Photo Biennial

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Joana Choumali, Salbre S from Haabre, The Last Generation

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Allison Gildersleeve On How We Remember Our Childhood Homes

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Wood and glass mirror room with paper lanterns 304 x 622.4 x 622.4 cm. Courtesy Ota Fine Arts, Tokyo/Singapore/Shanghai and Victoria Miro, London/Venice © Yayoi Kusama

Yayoi Kusama, Infinity Mirrored Room – My Heart Is Dancing Into the Universe, 2018

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© Sue Williams, 303 Gallery, New York

Sue Williams, March of Progress, 2018

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John Loker, Space is a Dangerous Country, Adrift, 2018, oil on canvas (c) John Loker, Courtesy of Flowers Gallery London and New York

John Loker, Space Is a Dangerous Country, Adrift, 2018

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Cary Kwok, Qipao - Hong Kong (1970s), 2012 drawing phaidon vitamin d

Vitamin D2: New Perspectives in Drawing by Phaidon

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Behjat Sadr, Untitled, 1986

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Plastic bucket, soil, resin, glue, cellulose, hair, paint, electronic circuits, etc. Photo by Rebecca Fanuele, courtesy Galerie Christophe Gaillard, copyright Tetsumi Kudo © ADAGP

Tetsumi Kudo, Cultivation by Nature and People Who Are Looking at It, circa 1970

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Soufiane Ababri title of work illustration french artist men erotic

Soufiane Ababri, Beautiful Fruit, 2018

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Heidi Bucher, Die Quelle (The Source), 1987

The Visceral Work of Heidi Bucher, as Seen by Her Sons

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Leonor Fini, Woman Seated on a Naked Man, 1942,

Leonor Fini, Woman Seated on a Naked Man, 1942

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Paul Trevor, faces on brick lane

Paul Trevor, The City

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Watercolor, ink and artist pen on paper 31 x 23 cm Courtesy Galerie Kleindienst+Artist, Leipzig Photo: Uwe Walter, Berlin

Rosa Loy, Es Geht Weiter, 2018

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Martin Eder, Lunacy, 2018

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Richard Billingham Untitled (RAL 28), 1994

Richard Billingham, Untitled (RAL 28), 1994

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Malick Sidibé, Les Beatles Bayada Di, 1966/2004

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Njideka Akunyili Crosby, Remain, Thriving, 2018

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Raoul Peck, I Am Not Your Negro, 2016

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