Matt Trueman

All images: Avalanche: A Love Story by Maxine Peake © The Other Richard

The Theatre Shows Exploring IVF as the Ultimate Creative Act

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Arinze Kene in Misty by Arinze Kene at the Bush Theatre. Photography by Helen Murray

How Can Theatre Tackle the Complex Question of Misrepresentation? 

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Hold Me Closer: Is Theatre the Perfect Match for VR?

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Olivier de Sagazan, Transfiguration

Disfigurement in Art As a Way to Understand Everyday Life

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Clare Perkins (Cynthia) and Martha Plimpton (Tracey) in Sweat at the Donmar Warehouse directed by Lynette Linton, designed by Frankie Bradshaw. Photo Johan Persson.

Shattering the American Dream

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In Super Duper Close Up, Jessica Latowicki’s performance asks if art cut through artifice.

Super Duper Close Up Shows How Our Brains Are Fried in the Digital Age

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Sam, Joe, Scottee, Asad and Gez, Fat Blokes. Photography by Holly Revell. 

Scottee’s New Show Depicts Fat Anew—and Orders Us to “Desire It”

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Truth or dare, Britney or Goofy, Nacht und Nebel, Jesus Christ or Superstar, photo:Fred Debrock

Truth or Dare: Painting a Picture of the Modern World

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Lam Gods Offers a Gut-Punch Takedown of Contemporary Life

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TBCTV Logo, c. Ewan Jones Morris

Seen on Screen: Television as Art and Art as Television

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