Culture

Gordon Parks, Untitled, Shady Grove, Alabama, 1956

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Throughout the series, which has just been published as a book by Mack, sun-seekers set up camp in car parks; swimming pools appear as mini oases in a desert of grey concrete; and cranes and cooling towers loom awkwardly over beaches. The contrast between these built up, man-made environments and the sunbathers, who appear minute in scale, is amusingly surreal, but highlights our subservience towards industry, housing developments and superstores.

Txema Salvans Captures the Awkward Joy of Sunbathing in a Post-Industrial World

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Sylvia Palacios Whitman, Passing Through, 1977

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Screenshot from The Simpsons, Isotope Dog Supreme

Looks Good Enough to Eat: The Nostalgia of Cartoon Food

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Louis Fratino, Me and Ray, 2018

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In almost every picture, Erik Kessels

This Humble Sofa Witnessed One Couple’s Enduring Eroticism

Art Living
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Shusaku Arakawa and Madeline Gins, Critical Resemblance House, 1995

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Khiang H Hei, Untitled, 1989

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Marilyn Minter, Plush, 2014

Hair Today, Gone Tomorrow: The Subversive Power of Pubes

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Jonathan Lyndon Chase, Legs Legs Legs Legs, 2015

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Laura Aguilar, Nature Self-Portrait #2, 1996

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Shirley Baker Saw Nuance and Humanity in England’s Elderly

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Kazuo Shinohara, Miss Butterfly, 1985

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Keith Haring graffiti new york

Keith Haring, We the Youth, 1987

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Wild and Free: Vinca Petersen Explores Life on the Road

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Juliana Huxtable, Untitled in the Rage (Nibiru Cataclysm), 2015

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Celebrating Crazy Hotel Carpet Design Around the World

Art Living
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Ren Hang, Untitled, 2016

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Zanele Muholi, ZaVa IV. Bordeaux, 2013

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Boy.Brother.Friend Reimagines the Fashion Magazine as a Political Force

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Matias Alonso Revelli, Social Distancing, 2020

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Big Brother series 1 eye

Orwellian Voyeurism or Social Experiment? How Big Brother Changed Everything

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Shirley Villavicencio Pizango, Mi Negrita, 2018

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Have We Over-Hyped the Mona Lisa?

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