Culture

Julie Cockburn, Plumage 1, 2019

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Ken Lum, Melly Shum Hates Her Job, 1998-2019

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Hello, Kitty: Celebrating Japan’s Cat Obsession

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E-WERK Luckenwalde, 2019

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Jane and Louise Wilson, South Corridor, Hoover Dam, Las Vegas, 1999

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Vivian Maier, Chicago, February 1967

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Gregory Crewdson Fuses Fact and Fiction in American Suburbia

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How Has the Camera Been a Tool for Colonialism?

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Judy Chicago, Immolation IV, 1972

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Ulrike Rosenbach, Aphrodite TV, 1975

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Shona McAndrew, Asia, 2019

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Paola Ciarska, Untitled, 2019

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Peter Saul, Mona Lisa Throws Up Pizza, 1995

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Madeline Donahue, Cyclops, 2019

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Back to School Special: Eight Must-See Artists for September

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Dave Pollot, Calorie Composition No. I, 2019

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The World Is on Fire: Edel Rodriguez Highlights the Absurd in the Political

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Don’t Look at Me! The Photography at Unseen Amsterdam Will Lure You In

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Esther Pearl Watson, Mothership, 2019

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The Carters, Apeshit still, 2018

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Christto & Andrew, Hyper Futurism, 2014. Courtesy the artists and Espai Tactel

Tender Is the Nightlife: Why Clubs Are the Ultimate Sanctuaries 

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Wu Tsang, Girl Talk, 2015

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Guy Yanai, Room in Salina, 2019

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Bridget Riley inside Continuum, contact sheet by Ida Kar, 1963. National Portrait Gallery. From the book Bridget Riley A Very Very Person.

The Making of An Artist: How Bridget Riley Became the Queen of Op Art

Art Living
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