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Oysters with agar pearls for KARA photoshoot, November 2018

Jen Monroe: Escapism and Artful Cheffing

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Celebrating the Joyful Decadence of Partying Through the Ages

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Paloma Proudfoot: Trifles & Ceramic Bibs

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Josh Sperling: Geometric Weaves and Squiggle Games at Perrotin Paris

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Grazing City Scapes, Hong Kong, 2019

Marije Vogelzang: Tap Water and Food for Thought

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Ewa Axelrad, Anomalia from Minimum, Necessary, Objectively Reasonable, 2015. Resin, jesmonite. Courtesy the artist, BWA Warszawa and Copperfield, London

All for One: The Artists Exposing the Cracks in Democracy

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Bulbous Bums and Bunny Ears: Ron Nagle’s Sculptures Defy Interpretation

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Take a Walk: Is Outdoor Art Beneficial for Your Wellbeing?

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The Artists Encouraging Us to Make Peace with our Demons

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Laura Jean Healey Explores Female Objectification Through a Biblical Lens

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Never Underestimate the Power of a Dyke (Photographer Cindy Clark of Women’s Quarterly Journal), 2018. Maple Veneer, & Ink. Courtesy of Victori + Mo and the artist.

Why We Should All Know More About Lesbian “Herstories”

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Imran Perretta Uses the Language of Music Videos to Confront Political Violence

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Ursula Mayer, still from Atom Spirit, 2016

What Does It Mean to Be Human in the Technological Age?

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Aïsha Devi, photo by Emile Barret

Everybody Hertz: Sounds that Heal You

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Frieze London 2019: The Full Farce of the Fair

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All images: Installation view of Ai Weiwei: Roots at Lisson Gallery, London, 2 October–2 November 2019 © Ai Weiwei, Courtesy Lisson Gallery

Why Ai Weiwei’s Roots Are More Relevant Now than Ever

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Explore Frieze London 2019 in Pictures

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Hedge Your Bets: The Timeless Pleasure of Topiary

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The Lebanese Artist Harnessing the Power of Destruction through Sculpture

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How the Hell Do You Collect Performance Art?

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Tracey Emin, Why I Never Became a Dancer, 1995, still

When Art Goes Disco Dancing

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A New Book Explores the Iconic Friendship Between Warhol and Basquiat 

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How Fair Is Frieze London 2019?

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Going Underground: The Art of the Tube

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