Art Living

The Anonymous Design Collective Out to Change the Visual Language of Protest

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Ping Pong, by Mrzyk and Moriceau and Jean Jullien

Nieves: What Makes This Cult Publisher So Special?

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This Book Celebrates the Playful Absurdity of Postmodern Architecture

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Sander Meisner, The Elastic Perspective, 2014

The Creative Industry Forces Us to Gamble With Our Time

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The Origin Story: The Soul-Searching Years of Grayson Perry

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Liam Wong Captures the Cinematic Essence of Tokyo

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Creative Jobs Sell Us a Lifestyle, But All I Want Is to Make a Living

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Inside One of London’s Most Iconic, Pioneering and Madcap Galleries

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The Problem with Women’s Networking

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Naked and Proud: This Is What It’s Like to Be a Life Model

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Toilet Paper and Martin Parr

The Delicious Disgust of the Everyday

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Love On The Isle Of Dogs, Jude Cowan Montague

The Illustrators Harnessing the Therapeutic Power of Drawing

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Pregnancy Isn’t As Pretty As Art Makes Us Think

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The Quiet Humanity of Alec Soth’s Gaze

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Should We Stop Celebrating Artists Who Were Sexual Abusers?

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Foxall Studios, The Party Next Door

Design Studio Foxall Have Put Together a Banger of a Playlist for You

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The Prop Maker Behind Kara Walker’s Monumental Fountain

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How Food Became One of the Most Loaded Subjects of the Decade

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Sam Taylor, Kermit World, personal work

From Pub Rock to Kermit the Frog: Sam Taylor’s Studio Soundtrack

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Barking Mad? Photos of Dogs Floating in Swimming Pools

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Electromagneto meets Leon neon [Ira Cohen and Jack Smith] © The Estate of Ira Cohen, 2019

Documenting the Euphoric Distortions of Hallucinogenics

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Gay Bar vs Art Gallery: Should Queer Exhibitions Be Reclaimed by LGBT+ Venues?

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La Chinoise (1967), Japanese one sheet Kiyoshi Awazu

A Fresh Look at French New Wave Cinema Through Its Revolutionary Poster Design

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Haroon Mirza, Stone Circle, 2018, Ballroom Marfa, TX. Courtesy of the artist and Ballroom Marfa. Photo by Emma Rogers

Haroon Mirza Knows How to Get the Party Started

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